In this classic British mystery starring a sleuth “who has her place in detective fiction as surely as Lord Peter Wimsey or Hercule Poirot,” Miss Silver investigates a murder that may have its roots in a new romance—or an old family feud (Manchester Evening News). An amateur who happened on a career in theater, Tanis Lyle has just finished filming her first motion picture. The young woman has electric charm, and seems to hypnotize all who meet her—including Laura Fane, a distant cousin who, because of a long-standing family feud, has never been allowed to meet her glamorous relative. But while all of London seems to love Tanis, her powerful effect on men causes some to despise her. And when the actress’s life is cut short by an unknown hand, investigator Miss Maud Silver will have to hunt for a killer.

DigiCat Publishing presents to you this special edition of "The Chinese Shawl" by Dora Amy Elles. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Tanis Lyle was one of those passionate women who always get their own way. Her cousin Laura hated her. Most women did. But men found her irresistible and she used them mercilessly. So when Tanis was found murdered there seemed to be any number of suspects on hand. But Miss Silver had her own suspicions . . .

Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links central to understanding the relationship between interior design and fashion-the body, fabric, and space. The volume considers the changing visual, material and spatial character, methodological challenges posed by, and formal, political and historiographical significance of, a wide range of British, European and North American case studies since the eighteenth century. The volume's eleven case studies allow the reader to understand connecting notions behind the formation of interiors and fashionable clothing. The essays combine a wide range of significant and challenging new examples alongside powerful reversionary analyses of the various periods, artists, designers, and their best and significant objects. Fashion, Interior Design and the Contours of Modern Identity is concerned not only with fabric, but also with the body and the implications of embodiment in the practices of both design domains which are equally invested in the comfort, aesthetic pleasure, extension and support of the body in different and yet seemingly identical ways.

The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western “vision of Cathay” formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneously, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book, which deal with artistic relations between China and the West at a time when Western powers’ attempts to extend a sphere of influence in China led to increasingly hostile political interactions.

In 1834, a young Chinese woman named Afong Moy arrived in America, her bound feet stepping ashore in New York City. She was both a prized guest and advertisement for a merchant firm--a promotional curiosity used to peddle exotic wares from the East. Over the next few years, she would shape Americans' impressions of China even as she assisted her merchant sponsors in selling the largest quantities of Chinese goods yet imported for the burgeoning American market. Americans views of the exotic Far East in this early period before Chinese immigration were less critical than they would later become. Afong Moy became a subject of poetry, a trendsetter for hair styles and new fashions, and a lucky name for winning racehorses. She met Americans face to face in cities and towns across the country, appearing on local stages to sell and to entertain. Yet she also moved in high society, and was the first Chinese guest to be welcomed to the White House. However, this success was not to last. As her novelty wore off, Afong Moy was cast aside by her managers. Though concerned public citizens rallied in support, her fame dwindled and she spent several years in a New Jersey almshouse. In the late 1840s, P.T. Barnum offered Afong Moy several years of promising renewal as the compatriot of Tom Thumb, yet this stint too was short-lived. In this first biography, Nancy E. Davis sheds light on the mystery of Afong Moy's life as a Chinese woman living in a foreign land.