This publication critically evaluates the political and ideological impacts of Chinese influences on the development of modern Tibetan writing. By examining three significant themes in separate chapters and focussing on selected writings of Dhondup Gyal and Yidam Tsering, this work explores the defining features of the new Tibetan literature. The author's analysis answers questions about the implications of modernity on this era's poetry and short stories; the historical significance of the emergence of Dhondup Gyal and Yidam Tsering; the relevance of the Cultural Revolution to modern Tibetan poetry and short stories; the reason why poetry became a dominant literary form in modern Tibetan literature; and the role of language used by the two authors in their writings. This work is an invaluable reference for scholars interested in modern Tibetan literary studies.

Gray Tuttle reveals the surprising role Buddhism and Buddhist leaders played in the development of the modern Chinese state and in fostering relations between Tibet and China from the Republican period (1912-1949) to the early years of Communist rule. Tuttle offers new insights on the impact of modern ideas of nationalism, race, and religion in East Asia. He draws on previously unexamined archival and governmental materials, as well as personal memoirs of Chinese politicians and Buddhist monks, and ephemera from religious ceremonies.

This study analyzes the growing appeal of Tibetan Buddhism among Han Chinese in contemporary China, Hong Kong, and Taiwan. It examines the Tibetan tradition’s historical context and its social, cultural, and political adaptation to Chinese society, as well as the effects on Han practitioners. The author's analysis is based on fieldwork in all three locations and includes a broad range of interlocutors, such as Tibetan religious teachers, Han practitioners, and lay Tibetans.

Modern Tibetan Literature and Social Change is the first systematic and detailed overview of modern Tibetan literature, which has burgeoned only in the last thirty years. This comprehensive collection brings together fourteen pioneering scholars in the nascent field of Tibetan literary studies, including authors who are active in the Tibetan literary world itself. These scholars examine the literary output of Tibetan authors writing in Tibetan, Chinese, and English, both in Tibet and in the Tibetan diaspora. The contributors explore the circumstances that led to the development of modern Tibetan literature, its continuities and breaks with classical Tibetan literary forms, and the ways that writers use forms such as magical realism, satire, and humor to negotiate literary freedom within the People’s Republic of China. They provide crucial information about Tibetan writers’ lives in China and abroad, the social and political contexts in which they write, and the literary merits of their oeuvre. Along with deep social, cultural, and political analysis, this wealth of information clarifies the complex circumstances that Tibetan writers face in the PRC and the diaspora. The contributors consider not only poetry, short stories, and novels but also other forms of cultural production—such as literary magazines, films, and Web sites—that provide a public forum in the Tibetan areas of the PRC, where censorship and restrictions on public gatherings remain the norm. Modern Tibetan Literature and Social Change includes a previously unavailable list of modern Tibetan works translated into Western languages and a comprehensive English-language index of names, subjects, and terms. Contributors: Pema Bhum, Howard Y. F. Choy, Yangdon Dhondup, Lauran R. Hartley, Hortsang Jigme, Matthew T. Kapstein, Nancy G. Lin, Lara Maconi, Françoise Robin, Patricia Schiaffini-Vedani, Ronald D. Schwartz, Tsering Shakya, Sangye Gyatso (aka Gangzhün), Steven J. Venturino, Riika Virtanen

Over sixty years of violence and dialogue have brought China and the Tibetans no closer to a resolution of their conflict. Tsering Topgyal argues that it is China's sense of insecurity, its perception of itself as a socio-politically weak state, which has disproportionately influenced its policies towards the religion, language, education and economy of Tibet. Beijing has also denied the existence of a 'Tibet Issue' and rejected several Tibetan proposals for autonomy, fearful that they might undermine its state-building project in Tibet. Conversely, Tibetan insecurity about threats to their identity, generated by Chinese policies, Han migration and cultural influences in Tibet, explains both the Dalai Lama's unpopular decision to abandon his aspiration for Tibetan independence and his demands for autonomy and unification of all Tibetans under one administration. Identity insecurity also drives the multi-faceted Tibetan resistance both inside Tibet and in the diaspora. Thus, while Beijing and the Tibetans seek to harden their positions in order to counter their respective insecurities, real or imagined, the outcome is, paradoxically, greater insecurity on both sides, plunging them into unremitting cycles of state-hardening on the part of China and fortifying resistance on the Tibetan side.

The violent protests in Lhasa in 2008 against Chinese rule were met by disbelief and anger on the part of Chinese citizens and state authorities, perplexed by Tibetans' apparent ingratitude for the generous provision of development. In Taming Tibet, Emily T. Yeh examines how Chinese development projects in Tibet served to consolidate state space and power. Drawing on sixteen months of ethnographic fieldwork between 2000 and 2009, Yeh traces how the transformation of the material landscape of Tibet between the 1950s and the first decade of the twenty-first century has often been enacted through the labor of Tibetans themselves. Focusing on Lhasa, Yeh shows how attempts to foster and improve Tibetan livelihoods through the expansion of markets and the subsidized building of new houses, the control over movement and space, and the education of Tibetan desires for development have worked together at different times and how they are experienced in everyday life.The master narrative of the PRC stresses generosity: the state and Han migrants selflessly provide development to the supposedly backward Tibetans, raising the living standards of the Han's "little brothers." Arguing that development is in this context a form of "indebtedness engineering," Yeh depicts development as a hegemonic project that simultaneously recruits Tibetans to participate in their own marginalization while entrapping them in gratitude to the Chinese state. The resulting transformations of the material landscape advance the project of state territorialization. Exploring the complexity of the Tibetan response to—and negotiations with—development, Taming Tibet focuses on three key aspects of China's modernization: agrarian change, Chinese migration, and urbanization. Yeh presents a wealth of ethnographic data and suggests fresh approaches that illuminate the Tibet Question.

This is the first book-length study to appear in English on the literary, cultural and political roots of modern Tibetan literature. While existing scholarship on modern Tibetan writing takes the 1980s as its point of “birth” and presents this period as marking a “rupture” with traditional forms of literature, this book goes beyond such an interpretation by foregrounding instead the persistence of Tibet’s artistic past and oral traditions in the literary creativity of the present. While acknowledging the innovative features of modern Tibetan literary creation, it draws attention to the hitherto neglected aspects of continuity within the new. This study explores the endurance of genres, styles, concepts, techniques, symbolisms, and idioms derived from Tibet’s rich and diverse oral art forms and textual traditions. It reveals how Tibetan kāvya poetics, the mgur genre, life-writing, the Gesar epic and other modes of oral and literary compositions are referenced and adapted in novel ways within modern Tibetan poetry and fiction. It also brings to prominence the complex and fertile interplay between orality and the Tibetan literary text. Embracing a multidisciplinary approach drawing on theoretical insights in western literary theory and criticism, political studies, sociology, and anthropology, this research shows that, alongside literary and oral continuities, the Tibetan nation proves to be an inevitable attribute of modern Tibetan literature.