This book explores the ways in which Nordic private collectors displayed their collections of Chinese objects in their homes. This leads to a reconsideration of how to define collecting and display by analysing the difference between objects serving as decorative or collectible items, while tracing collecting and display trends of the twentieth century. Minna Törmä examines four Scandinavian collections as case studies: Kustaa Hiekka, Sophus Black, Osvald Sirén and Marie-Louise and Gunnar Didrichsen, all of whom had professional backgrounds (a jeweler, two businessmen and a scholar) and for whom collecting became a passion and an educational endeavour. This book will be of interest to scholars in art history, museum studies, Chinese studies and design history.

Exhibition catalogue from Asia House Gallery, Spring 1971

Saved from Desert Sands, edited by Kelsey Granger and Imre Galambos, unites historians, codicologists, art historians, archaeologists, and curators in the study of material culture on the Silk Roads. The re-discovery of forgotten manuscript archives and sand-buried cities in the twentieth century has brought to light thousands of manuscripts and artefacts. To date, textual content has largely been prioritised over physical objects and their materiality, but the material aspects of these objects are just as important. Focusing primarily on the material and non-textual, this volume presents studies on silver dishes, sealing systems, manuscripts, Buddhist paintings, and ceramics, all of which demonstrate the centrality of material culture in the study of the Silk Roads.