"This illustrated, full-color catalogue represents the first survey of Historic Deerfields Chinese export art collection. Written by Curator of Historic Interiors Amanda E. Lange, Chinese Export Art at Historic Deerfield presents new research on the involvement of rural New England in the China trade and features in-depth object entries."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A highly original and much-needed collection that explores the impact of Asian and Indian Ocean trade on the art and aesthetic sensibilities of New England port towns in the late eighteenth and early nineteenth centuries. This diverse, interdisciplinary volume adds to our understanding of visual representations of economic and cultural changes in New England as the region emerged as a global trading center, entering the highly prized East Indies trades. Examining a wide variety of commodities and forms including ceramics, textiles, engravings, paintings, architecture, and gardens, the contributors highlight New Englanders' imperial ambitions in a wider world. This book will appeal to a broad audience of historians and students of American visual art, as well as scholars and students of fine and decorative arts.

Whether it's a delicate green tea or a bracing Assam black, a cup of tea is a complex brew of art and industry, tradition and revolution, East and West. In this sweeping tour through the world of tea, veteran tea traders Mary Lou Heiss and Robert J. Heiss chronicle tea's influence across the globe and provide a complete reference for choosing, drinking, and enjoying this beverage. The Story of Tea begins with a journey along the tea trail, from the lush forests of China, where tea cultivation first flourished, to the Buddhist temples of Japan, to the vast tea gardens of India, and beyond. Offering an insider'­s view of all aspects of tea trade, the Heisses examine Camellia sinensis, the tea bush, and show how subtle differences in territory and production contribute to the diversity of color, flavor, and quality in brewed tea. They profile more than thirty essential tea varietals, provide an in depth guide to tasting and brewing, and survey the customs and crafts associated with tea. Sharing the latest research, they discuss tea's health benefits and developments in organic production and fair trade practices. Finally, they present ten sweet and savory recipes, including Savory Chinese Marbled Eggs and Green Tea Pot de Crâme, and resources for purchasing fine tea. Vividly illustrated throughout, The Story of Tea is an engrossing tribute to the illustrious, invigorating, and elusive leaf that has sustained and inspired people for more than two thousand years.

Now in its sixth year, Early Homes is a biannual special edition that focuses on the period 1690—1850 and it's revivals, including Colonial and Neoclassical design. Each issue contains lavish photos and plenty of product sources.

Hundreds of Chinese export paintings of Canton trading houses and shopping streets are in museums and private collections throughout the world, and scholars of art and history have often questioned the reliability of these historical paintings. In this illustrated volume, Paul Van Dyke and Maria Mok examine these Chinese export paintings by matching the changes in the images with new historical data collected from various archives. Many factory paintings are reliable historical records in their own right and can be dated to a single year. Dating images with such precision was not possible in the past owing to insufficient information on the scenes. The new findings in this volume provide unprecedented opportunities to re-date many art works and prove that images of the Canton factories painted on canvas by Chinese artists are far more trustworthy than what scholars have believed in the past.

This multi-functional reference is a useful tool to find information about history-related organizations and programs and to contact those working in history across the country.

This book examines egalitarian social ideals and institutions that arose in preindustrial China and England, and in the process, uncovers China’s forgotten role in the history of social justice debate and legislation during the eighteenth century. Drawing on a wide range of visual and documentary evidence, the author shows that many prominent individuals in both England and China adopted comparable strategies as a logical response to excesses of privilege and arbitrary power, with educated but non-noble persons taking advantage of print culture, a more literate population, an expanded art market, public spaces and other familiar ‘early modern’ developments to interrogate the system of inherited privilege and promote a more meritocratic society. This shared experience created common ground for transformative exchange between the two great traditions during the eighteenth century. By providing a more global account of what we call Western values, the book shows that early modern China and England had far more in common than is normally supposed, and thus challenges claims on the right and the left that the people of China lacked a concept of social justice and that China’s cultural legacy should be treated as exceptional in regard to human rights.