Brief and general introduction to the main traditions.

Modern research has not only demonstrated that all these accounts are inventions of a much later period but has also shown why such narratives were composed. The older historical sources make no mention of any rulers before 2200 B.C. no mention even of their names.

This handbook, representing the collaboration of 40 scholars, provides a multi-faceted exploration of roughly 6,000 years of Chinese architecture, from ancient times to the present. This volume combines a broad-spectrum approach with a thematic framework for investigating Chinese architecture, integrating previously fragmented topics and combining the scholarship of all major periods of Chinese history. By organizing its approach into five parts, this handbook: Traces the practices and traditions of ancient China from imperial authority to folk culture Unveils a rich picture of early modern and republican China, revealing that modernization was already beginning to emerge Describes the social, intellectual, ideological, and formal enterprises of socialist architecture Frames a window on a complex and changing contemporary China by focusing on autonomy, state practices, and geopolitics of design, ultimately identifying its still evolving position on the world stage Examines the existing cultural and political theories to highlight potential avenues for future transformations in Chinese architecture that also retain Chinese identity Providing a pioneering combination of ancient and modern Chinese architecture in one coherent study, this book is a must-read for scholars, students, and educators of Chinese architecture, architectural history and theory, and the architecture of Asia.

This monumental series, acclaimed as a "masterpiece of comprehensive scholarship" in the New York Times Book Review, reveals the impact of Asia's high civilizations on the development of modern Western society. The authors examine the ways in which European encounters with Asia have altered the development of Western society, art, literature, science, and religion since the Renaissance. In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples.

More than ten years ago, when I first read Mario Gandelsonas book The Urban Context, the beautiful abstract diagrams that the book presented -the street network of Chicago- fascinated me with the profound historical and cultural background that they suggested. Without knowing how this would direct me, I started to draw something related with the street network of Beijing. That is the beginning of this book. Among tons of the diagrams that I have created, most of them have not been incorporated into this book, while they have directed me into this fascinating research area which focuses on the "mineralized skeleton," rather than the "soft tissue" of urban forms. It was not until the recent five years when Yang and I came across some theories and approaches in paleontology that we started to integrate them into the street network study in Beijing and Savannah. Paleontology methods lay the foundation and provide a systematic and scientific platform for our research. Then urban paleontology, as a new framework for urban form study, unfolds itself more and more apparently in front of us. It explores the evolution of "urban species" based on their remains- "urban fossils," which describe distinct urban forms with imprints of their street networks. Just as how a biological fossil serves as a factual documentation of certain life forms, an urban fossil provides clues of the existence and transformation of urban forms. The study of urban paleontology inevitably directs us to further exploration in the fields of biology, anatomy, archeology, geology, and the application of computer aided design in the excavation of urban sites. Upon finishing this book, we realize that our work is too inadequate to possibly incorporate all the influence that other disciplines may have on architecture and urban design. What it has suggested is that architecture presents such a wide array of connections with other disciplines and becomes more and more towards an interdisciplinary study. We hope this book has illustrated the diversity of problems that invite further study and can serve as a start point for architects to conceive the total spectrum. -Ming Tang"

First systematic, inclusive study of the impact of the high civilizations of Asia on the development of modern Western civilization.

As China struggled to redefine itself at the turn of the twentieth century, nationalism, religion, and material culture intertwined in revealing ways. This phenomenon is evident in the twin biographies of North China’s leading Catholic bishop of the time, Alphonse Favier (1837–1905), and the Beitang cathedral, epicenter of the Roman Catholic mission in China through incarnations that began in 1701. After its relocation and reconstruction under Favier’s supervision, the cathedral—and Favier—miraculously survived a two-month siege in 1900 during the Boxer Rebellion. Featuring a French Gothic Revival design augmented by Chinese dragon–shaped gargoyles, marble balustrades in the style of Daoist and Buddhist temples, and other Chinese aesthetic flourishes, Beitang remains an icon of Sino-Western interaction. Anthony Clark draws on archival materials from the Vatican and collections in France, Italy, China, Poland, and the United States to trace the prominent role of French architecture in introducing Western culture and Catholicism to China. A principal device was the aesthetic imagined by the Gothic Revival movement of the eighteenth and nineteenth centuries, the premier example of this in China being the Beitang cathedral. Bishop Favier’s biography is a lens through which to examine Western missionaries’ role in colonial endeavors and their complex relationship with the Chinese communities in which they lived and worked.