Mr. Wu the laundryman, the evil Fu Manchu, the sex maniac, the opium addict, the docile immigrant worker: These stereotypes applied to Chinese people stretch back to the Victorian era, yet resurface with regularity in today’s media. In China itself the way the Chinese perceive and project themselves and their ethnicity has evolved over recent years, with discordant and unofficial voices challenging normative ideas of Chinese identity. In order to understand the numerous ways of seeing and being Chinese, Chinas Unlimited analyzes Chinese literary and cultural texts, such as television soap serials, as well as popular cultural representations of the Chinese.

A socio-cultural study of the historical representation of China and Chineseness over the past hundred years or so, much of this book discusses the Orientalizing and crude racist ideologies that have formed the foundations of the way people in the west, both popularly and scientifically, have imagined China.

This book examines the Chinese model of modernization in three key fields – economic, political and military. The explanations provided here, prepared by Russian analysts, are original because of the authors’ first-hand knowledge of China and their unique professional experience. They share essential insights on China’s model of modernization and its connections to both policy and practice. Focusing on the most vital issues surrounding modernization, and on its impacts on the most important spheres in China, the book offers a valuable asset for the analytical and policy-making community.

Three years before the September 11 bombing of the World Trade Center-a Chinese military manual called Unrestricted Warfare touted such an attack-suggesting it would be difficult for the U.S. military to cope with. The events of September ll were not a random act perpetrated by independent agents. The doctrine of total war outlined in Unrestricted Warfare clearly demonstrates that the People's Republic of China is preparing to confront the United States and our allies by conducting "asymmetrical" or multidimensional attack on almost every aspect of our social, economic and political life.

An analysis of the financing of China's rural enterprises over the past two decades. Dicusses key aspects of rural enterprise development in China, including the role of state policy, rural financial institutions and local government.

The world is anything but unfamiliar with diaspora: Jewish, African, Armenian, Roma-Gipsy, Filipino/a, Tamil, Irish or Italian, even Japanese. But few have carried so global a resonance as that of China. What, then, of literary-cultural expression, the huge body of fiction which has addressed itself to that plurality of lives and geographies and which has come to be known as “After China”? This collection of essays offers bearings on those written in English, and in which both memory and story are central, spanning the USA to Australia, Canada to the UK, Hong Kong to Singapore, with yet others of more transnational nature. This collection opens with a reprise of woman-authored Chinese American fiction using Maxine Hong Kingston and Amy Tan as departure points. In turn follow readings of the oeuvres of Tan and Frank Chin. A comparative essay takes up novels by Canadian, American and Australian authors from the perspective of migrancy as fracture. Chinese Canada comes into view in accounts of SKY Lee, Wayson Choy, Evelyn Lau and Larissa Lai. Australia under Chinese literary auspices is given a comparative mapping through the fiction of Brian Castro and Ouyang Yu. The English language “China fiction” of Singapore and Hong Kong is located in essays centred, respectively, on Martin Booth and Po Wah Lam, and Hwee Hwee Tan and Colin Cheong. The collection rounds out with portraits of Timothy Mo as British transnational author, a selection of contextual Chinese British stories and art, and the phenomenon of “Chinese Chick Lit” novels. China Fictions/English Language will be of interest to readers drawn both to “After China” as diasporic literary heritage and comparative literature in general.

If 'China', as Lee argues, is a product of Westernisation, then the West is itself in a process of becoming China. How did China become China? And where is it leading us? We talk as if it had always existed: eternal China with its 5,000 years of uninterrupted history. But the name 'China' was first used by 16th-century Europeans, and its Chinese equivalent, Zhongguo, only gained currency in the mid-1800s. 'China Imagined' is a thoughtful exploration of the idea of China, from the naming and mapping of its territory and peoples to the creation and rise of the modern nation-state.