The evolution of Chinese design and the major shift in the culture of creativity in a post-Mao China. China is on the verge of a design revolution. A "third generation" of the People's Republic of China that came of age during China's "opening up" period of the 1980s now strives for fame, fortune, and self expression. This generation, workers in their thirties and forties, has more freedom to create--and to consume--than their parents or grandparents. In China's Design Revolution, Lorraine Justice maps the evolution of Chinese design and innovation. Justice explains that just as this "third generation" (post-Revolution, post-Cultural Revolution) reaches for self-expression, China's government is making massive investments in design and innovation, supporting design and creative activities (including design education programs, innovation parks, and privatized companies) at the local and national levels. The goal is to stimulate economic growth--and to establish China as a global creative power. Influenced by Mao and Confucius, communism and capitalism, patriotism and cosmopolitanism, China's third generation will drive the culture of design and innovation in China--and maybe the rest of the world. Justice describes and documents examples of Chinese design and innovation that range from ancient ceramics to communist propaganda posters. She then explores current award-winning projects in media, fashion, graphic, interior, and product design; and examines the lifestyle and purchasing trends of the "fourth generation," now in their teens and twenties. China's Design Revolution offers an essential guide to the inextricably entwined stories of design, culture, and politics in China.

"Beautified China shows the country's modern architecture in new light" - CNN Style Photo-Series "Provides an abstracted look at China's iconic architecture," - ArchDaily.com. This book of stunning photographs by architect and photographer Kris Provoost captures the wave of the architectural revolution in China. Internationally renowned architects such as Zaha Hadid, Rem Koolhaas, Ole Scheeren, Herzog & de Meuron, Daniel Liebeskind and many others have been engaged in creative, futuristic, and flamboyant projects in China in recent years. The sky is literally the limit, both in terms of construction, use of materials and design. Unimaginable forms, which defy all rules of gravity, come to life in immense skyscrapers. Beautified China offers an overview of these revolutionary designs, capturing their surreal impact in photographs that explore the free play of form that characterises each building. The book features essays by Rem Koolhaas, Ma Yansong & Ole Scheeren, among others, and each photograph is accompanied by information pertinent to the project, including function, environment, and context. AUTHOR: Kris Provoost is a Belgian architect and photographer. After receiving his Master's in Architecture, he moved to China, where he further expanded his career. He worked for, among others, Zaha Hadid Architects & Buro Ole Scheeren. He also focuses on architectural photography. His work has previously appeared in CNN Style, Dezeen, ArchDaily, Designboom, gooood, That's Mag Beijing, Time Out Shanghai, Abduzeedo, Fubiz, and T-Magazine. SELLING POINTS: * A photo essay by Belgian architect and photographer Kris Provoost capturing the boldest and most iconic structures of the architectural revolution in China * Striking images of fantastical buildings from unexpected angles and perspectives 180 colour, 40 b/w images

Published to coincide with the exhibition at the Victoria and Albert Museum, London, Mar. 15-July 13, 2008.

Building a Revolution: Chinese Architecture Since 1980 presents a picture of Chinese architecture in transition, as the entire economy shifted from being planned and state-controlled to being market-led. The book also examines the "national form" and Chinese identity, the impact of international architecture, housing reform, and the emergence of architects in private practice. Both celebrated and young Chinese architects are portrayed, and the notable buildings in the prosperous coastal cities are highlighted. Through this book on modern Chinese architecture, the reader will appreciate the influence of globalization and modernization on the most populous country in the world.

Investigating the rich architecture of post-Mao China and its broad cultural impact In the years following China's Cultural Revolution, architecture played an active role in the country's reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture's unique ability to shape space as well as behavior. Roskam traces how foreign influences like postmodernism began to permeate Chinese architectural discourse in the 1970s and 1980s and how figures such as Kevin Lynch, I. M. Pei, and John Portman became key forces in the introduction of Western educational ideologies and new modes of production. Offering important insights into architecture's relationship to the politics, economics, and diplomacy of post-Mao China, this unprecedented interdisciplinary study examines architecture's multivalent status as an art, science, and physical manifestation of cultural identity.

“A fascinating story . . . worth the attention of every student of modern China.” —The Journal of Asian Studies China’s 1911 Revolution was a momentous political transformation. Its leaders, however, were not rebellious troublemakers on the periphery of imperial order. On the contrary, they were a powerful political and economic elite deeply entrenched in local society and well-respected both for their imperially sanctioned cultural credentials and for their mastery of new ideas. The revolution they spearheaded produced a new, democratic political culture that enshrined national sovereignty, constitutionalism, and the rights of the people as indisputable principles. Based upon previously untapped Qing and Republican sources, The Politics of Rights and the 1911 Revolution in China is a nuanced and colorful chronicle of the revolution as it occurred in local and regional areas. Xiaowei Zheng explores the ideas that motivated the revolution, the popularization of those ideas, and their animating impact on the Chinese people at large. The focus of the book is not on the success or failure of the revolution, but rather on the transformative effect that revolution has on people and what they learn from it.