Jade Snow Wong’s autobiography portrays her coming-of-age in San Francisco's Chinatown, offering a rich depiction of her immigrant family and her strict upbringing, as well as her rebellion against family and societal expectations for a Chinese woman. Originally published in 1950, Fifth Chinese Daughter was one of the most widely read works by an Asian American author in the twentieth century. The US State Department even sent its charismatic young author on a four-month speaking tour throughout Asia. Cited as an influence by prominent Chinese American writers such as Amy Tan and Maxine Hong Kingston, Fifth Chinese Daughter is a foundational work in Asian American literature. It was written at a time when few portraits of Asian American life were available, and no similar works were as popular and broadly appealing. This new edition includes the original illustrations by Kathryn Uhl and features an introduction by Leslie Bow, who critically examines the changing reception and enduring legacy of the book and offers insight into Wong’s life as an artist and an ambassador of Chinese American culture.

"Ida Pruitt, born of American missionaries and raised in a rural Chinese village at the end of the nineteenth century, witnessed almost a century of China's revolutionary upheavals. She was the first Director of Social Service at the Peking Union Medical College, where she established social casework in China. She later served as the executive secretary of the American Committee in Support of the Chinese Industrial Cooperatives, the only U.S. aid agency to provide support to both Nationalist and Communist regions during the Chinese Civil War. She was also one of the early advocates for U.S. diplomatic recognition of the People's Republic of China. Her two notable books, A Daughter of Han: the Autobiography of a Chinese Working Woman, Ning Lao T'ait'ai and Old Madam Yin: A Memoir of Peking, 19261938, have become classics in Chinese Studies and Women's Studies." -- Publisher's description.

Anger and bitterness tend to pervade narratives by second generation Asian American daughters, despite their largely unremarkable upbringings. The author explores this apparent paradox, locating in the origins of these women's immaterial suffering not only racial hegemonies but also the structure of the immigrant family itself. She argues that the filial debt of these women both demands and defies repayment--all the better to produce the docile subjects of a model minority. Through readings of Jade Snow Wong's Fifth Chinese Daughter, Maxine Hong Kingston's The Woman Warrior, Evelyn Lau's Runaway : Diary of a Street Kid, Catherine Liu's Oriental Girls Desire Romance, and other texts, she offers an explication of the subjection and psyche of the Asian American daughter. She connects common literary tropes to their theoretical underpinnings in power, profit, and subjection.

The epic first novel in a sweeping series following the romantic lives and intrigues of the fictionalized descendants of a Chinese empress—now in paperback! Behind every great family lies a great secret. There’s one rule in Gemma Huang’s family: Never, under any circumstances, set foot in Beijing. But when Gemma, an aspiring actress, lands her first break—a lead role in an update of M. Butterfly, which just so happens to be filming in the Chinese capital—Gemma heads to LAX without looking back. It’s an amazing opportunity for her burgeoning career, and she’ll get to work with her idol. Of course, there’s also the chance of discovering just exactly why she’s been forbidden from entering the city in the first place. When Gemma arrives in Beijing, she’s instantly mobbed by paparazzi at the airport. She quickly realizes she may as well be the twin of Alyssa Chua, one of the most notorious young socialites in Beijing. Thus kicks off a season of revelations and romance in which Gemma uncovers a legacy her parents have spent their lives protecting her from—one her mother would conceal at any cost.

Unwilling to see Asian American women silenced beneath the noisy discourses of feminists, cultural nationalists, and Eurocentric historians, Wendy Ho turns to specific spoken stories of mothers and daughters. Against reductive tendencies of scholarship, she places her own conversations with her China-born grandmother and her U.S.-born mother and her own readings of other Asian American women writers. She finds in the writings of Maxine Hong Kingston, Amy Tan, and Fae Myenne Ng not only complex mother-daughter relationships but many-faceted relationships to fathers, family, community, and culture. Always resisting the simplistic explanations, In Her Mother's House brings Asian American women's experience as mothers and daughters to the forefront of gender and ethnicity.

Raising a child is challenging for many parents, especially for a new, immigrant family. For those parents, they not only have to face the challenges of integrating themselves into a new environment, but they also need to handle the conflicts coming from two cultural backgrounds. Like many Chinese Americans, the authors inherited the traditional Chinese culture. Yet they also opened their minds and embraced their new culture. Through the collisions of these two cultures, they developed a unique parenting strategy: a combination of the best of both worlds to educate their children. This approach offered them a cutting edge in developing their children to be among the most competitive. As they raised their children, they • held parties to build their children’s social groups; • used teamwork to create a harmonious family, strengthening the family bonds; • helped their children excel in academic competitions; • taught their children how to be rigorous and strive for perfection; • inspired their children to explore innovative strategies to overcome obstacles; • developed their children’s creativity, leadership, and initiative; • encouraged their children to be involved in the community; and • gave their children freedom to develop their individual personalities and discover their full potentials. The authors believe that their story will be beneficial to other parents and also provide a new perspective of Chinese American families for mainstream Americans.

"The Good Chinese Daughter: Growing up in China and in America," is an inspiring memoir of a successful woman, mother and author, looking for unconditional love from her mother who almost "aborted" her. After her mother divorced her first husband, she kept reminding her daughter that she might not have been born. Elizabeth, born in Shanghai, was traumatized as a child as she watched the cruelty and brutality of the Imperial Japanese army in Manila, The Philippines. It was there she learned to deal with the fact that the man she called "Dad" was her stepfather. Her mother, a socialite, spent little time with her daughter who was reared by her beloved amah, Ah Woo. Elizabeth, the "good" Chinese daughter - obedient, loyal and gracious, true to her Chinese tradition and Catholic upbringing - dreamed of closer relationship with her mother and stepfather. Caught between two worlds - her Chinese upbringing and adjusting to life in the U.S. when the family moved to California, she searched for her true self and personal identity in the shadow of her strong-willed, dominant mother. In spite of the inevitable tensions that marked the relationship, she served as her mother's right hand, helping to raise her five younger siblings and to manage the household. All of us search, at one time or another in our lives, for the assurance of love and acceptance from loved ones, whether parents, spouse, children or friends. As Elizabeth raised her own family in the U.S. which includes two sons and their spouses, seven grandchildren and a husband of great renown in the field of bioengineering, she kept looking for the something that was "missing" in her life. Finally she found it in Christian Meditation - the peace that serves to bridge the gap between her mother and herself and other relationships in her life. During her Mom's waning years, they came to something of a reconciliation. Elizabeth found peace and a deeper integration of her life experiences through contemplative prayer - a form of communion with the transcendent taking place in total silence and stillness.