Chinese leaders have long been fascinated by the United States, but have often chosen to demonize America for perceived cultural and military imperialism. Especially under Communist rule, Chinese leaders have crafted and re-crafted portrayals of the United States according to the needs of their own agenda and the regime's self-image—often seeing America as an antagonist and foil, but sometimes playing it up as a model. In China Looks at the West, Christopher A. Ford investigates what these depictions reveal about internal Chinese politics and Beijing's ambitions in the world today. In particular, Ford emphasizes the importance of China's "return" to global preeminence in state images, which has become an essential concept in the regime's self-image and legitimacy. He also examines the history of Chinese intellectual engagement with America, surveying the ways in which Chinese elites have manipulated attitudes toward the United States, and revealing how leaders from Qing dynasty officials to Mao Zedong and from to Hu Jintao to Xi Jinping have altered and reconstructed this narrative to support their own political agendas. Ford concludes the volume with a series of scenario-based alternatives for how China's approaches to understanding itself and other nations may evolve in the future. Based on extensive research, including interviews with Chinese scholars and researchers, this groundbreaking study is essential reading for policymakers and readers seeking to understand current and future Sino-American relations.

Chinese leaders have long been fascinated by the US, but have often chosen to demonise America for perceived cultural and military imperialism. Especially under Communist rule, Chinese leaders have crafted and re-crafted portrayals of the US according to the needs of their own agenda and the regime's self-image. Christopher A. Ford investigates what these depictions reveal about internal Chinese politics and Beijing's ambitions in the world today.

Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.

Chinese leaders have long been fascinated by the US, but have often chosen to demonise America for perceived cultural and military imperialism. Especially under Communist rule, Chinese leaders have crafted and re-crafted portrayals of the US according to the needs of their own agenda and the regime's self-image. Christopher A. Ford investigates what these depictions reveal about internal Chinese politics and Beijing's ambitions in the world today.

Contains primary source material.

China today is never out of the news: from human rights controversies and the continued legacy of Tiananmen Square, to global coverage of the Beijing Olympics, and the Chinese 'economic miracle'. It seems a country of contradictions: a peasant society with some of the world's most futuristic cities, heir to an ancient civilization that is still trying to find a modern identity. This Very Short Introduction offers the reader with no previous knowledge of China a variety of ways to understand the world's most populous nation, giving a short, integrated picture of modern Chinese society, culture, economy, politics and art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The years from 1928 to 1937 were the "Nanking decade" when the Chinese Nationalist government strove to build a new China with Western assistance. This was an interval of hope between the turbulence of the warlord-ridden twenties and the eight-year war with Japan that began in 1937. James Thomson explores the ways in which Americans, both missionaries and foundation representatives, tried to help the Chinese government and Chinese reformers undertake a transformation of rural society. His is the first in-depth study of these efforts to produce radical change and at the same time avoid the chaos and violence of revolution. Despite the conservatism of the right wing in the Kuomintang party dictatorship, this Nanking decade saw many promising beginnings. American missionaries--the largest group of Westerners in the Chinese hinterland--often took the initiative locally, and some rallied to support of China's first modern-minded government. They assisted both in rural reconstruction programs and in efforts of at ideological reform. Thomson analyzes the work of the National Christian Council in an area of Kiangsi province recently recovered from Communist rule. He also traces the deepening involvement of missionaries and the Chinese Christian Church in the "New Life Movement," sponsored by Chiang Kai-shek. Unhappily aware of the sharpening polarization of Chinese politics, these American reformers struggled in vain to steer clear of too close an identification with the ruling party. Yet they found themselves increasingly identified with the Nanking regime and their reform efforts obstructed by its disinclination or inability to revolutionize the Chinese countryside. In this way, American reformers in Nationalist China were forerunners of subsequent American attempts, under government sponsorship, to find a middle path between revolution and reaction in other situations of national upheaval. For this book, James Thomson has used hitherto unexplored archives that document the participation of American private citizens in the process of Chinese social, economic, and political change.