In this political memoir, an American diplomat offers an insightful and personal account of the beginnings of U.S. relations with China. Diplomat Nicholas Platt was an integral part of President Nixon’s historic visit to the People’s Republic of China in 1972, as well as the creation of America’s first diplomatic office there. In China Boys, Platt candidly describes his experiences and observations throughout these historic accomplishments. He also describes some of the first encounters between Americans and Chinese, including Olympic athletes, orchestra maestros, Members of Congress, airplane manufacturers, bankers, scientists, and students. Platt sheds light on the forging of the first links between the Pentagon and the People’s Liberation Army following the Soviet invasion of Afghanistan. He also examines the diplomatic role played by nongovernmental organizations like the Asia Society. As Platt demonstrates, these diverse practical ties later evolved into today’s crucial relationship between China and America.

"An ADST-DACOR dipolmats and diplomacy book."

"With its surging storyline, extraordinary events, and depth of character, this gripping tale of 120 Chinese boys sent to America…reads more like a novel than an obscure slice of history." —Publishers Weekly, starred review In 1872, China—ravaged by poverty, population growth, and aggressive European armies—sent 120 boys to America to learn the secrets of Western innovation. They studied at New England’s finest schools and were driven by a desire for progress and reform. When anti-Chinese fervor forced them back home, the young men had to overcome a suspicious imperial court and a country deeply resistant to change in technology and culture. Fortunate Sons tells a remarkable story, weaving together the dramas of personal lives with the fascinating tale of a nation’s endeavor to become a world power.

“What a knockout. An incredibly rich and new voice for American literature…China Boy grabs the reader’s heart and won’t let go.”—Amy Tan, bestselling author of The Joy Luck Club “A fascinating, evocative portrait of the Chinese community in California in the 1950s, caught between two complex, demanding cultures.”—The New York Times Book Review Kai Ting is the only American-born son of a Shanghai family that fled China during Mao’s revolution. Growing up in a San Francisco multicultural, low-income neighborhood, Kai is caught between two worlds—embracing neither the Chinese nor the American way of life. After his mother’s death, Kai is suddenly plunged into American culture by his stepmother, who tries to erase every vestige of China from the household. Warm, funny and deeply moving, China Boy is a brilliantly rendered novel of family relationships, culture shock, and the perils of growing up in an America of sharp differences and shared humanity.

Five brothers who look just alike outwit the executioner by using their extraordinary individual talents.

"In vivid detail... examines the little-known history of two extraordinary dynasties."--The Boston Globe "Not just a brilliant, well-researched, and highly readable book about China's past, it also reveals the contingencies and ironic twists of fate in China's modern history."--LA Review of Books An epic, multigenerational story of two rival dynasties who flourished in Shanghai and Hong Kong as twentieth-century China surged into the modern era, from the Pulitzer Prize-winning journalist The Sassoons and the Kadoories stood astride Chinese business and politics for more than one hundred seventy-five years, profiting from the Opium Wars; surviving Japanese occupation; courting Chiang Kai-shek; and nearly losing everything as the Communists swept into power. Jonathan Kaufman tells the remarkable history of how these families ignited an economic boom and opened China to the world, but remained blind to the country's deep inequality and to the political turmoil on their doorsteps. In a story stretching from Baghdad to Hong Kong to Shanghai to London, Kaufman enters the lives and minds of these ambitious men and women to forge a tale of opium smuggling, family rivalry, political intrigue, and survival.

Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires as a reaction against the norms in discourses surrounding nation-states, linguistics, geopolitics, genders, and sexualities. Moving beyond the easy polarities between general resistance and capitulation, Queer Fan Cultures explores the fans’ diverse strategies in negotiating with cultural strictures and media censorship. It further outlines the performance of subjectivity, identity, and agency that cyberspace offers to female fans. Presenting a wide array of concrete case studies of queer fandoms in Chinese-speaking contexts, the essays in this volume challenge long-established Western-centric and Japanese-focused fan scholarship by highlighting the significance and specificities of Sinophone queer fan cultures and practices in a globalized world. The geographic organization of the chapters illuminates cultural differences and the other competing forces shaping geocultural intersections among fandoms based in Mainland China, Hong Kong, and Taiwan. “This important collection complicates our understanding of fan practices, showing how national and regional factors play an important role in how media texts and identities are understood. It also shows how the Chinese-speaking world is home to dense and often conflicting modes of audience reception of cultural texts deriving from Sinophone, Japanese, and Western contexts.” —Mark McLelland, University of Wollongong “An exciting anthology by a talented group of emergent scholars whose vibrant studies offer fresh insights on the diverse practices and transregional flows of queer fandom in the Chinese-speaking world. Local in its specificity and transnational in its scope, this book highlights the creativity of queer fan practices while critically locating them within the political and social structures that produce them.” —Helen Hok-Sze Leung, Simon Fraser University