Das Buch ist dem Andenken des 1999 verstorbenen renommierten Bochumer Sinologen Helmut Martin gewidmet. Namhafte Chinawissenschaftler aus der ganzen Welt spannen in ihren Beitragen einen Bogen, der das umfangreiche ?uvre der wissenschaftlichen Arbeit Helmut Martins widerspiegelt. Nach einer personlich gehaltenen Einfuhrung zu Leben und Werk Helmut Martins konzentriert sich der Themenschwerpunkt des Bandes auf (auto-)biographische Fragestellungen in Literatur, Wissenschaft, Politik und Wirtschaft des traditionellen und des modernen Chinas. Die chinesische und taiwanesische Literatur des 20. Jahrhunderts sind hierbei besonders ins Blickfeld geruckt. Aber auch zu linguistischen Fragestellungen und den Themen Ubersetzung, Chinarezeption und -perzeption sind eine Reihe wichtiger Aufsatze enthalten. Im Anhang des Buches findet sich ein Gesamtverzeichnis der Schriften von und uber Helmut Martin.

This volume provides the first study of the history of sinology (aka China studies) as charted across several communist states during the Cold War. The People’s Republic of China was created in the first years of the Cold War, with its early history and foreign policy intimately bound up in that larger geopolitical fight. All the seismic changes in China’s geopolitical landscape—from its emergence and close relationship with the Soviet Union, to the Sino–Soviet split and the eventual rapprochement with the United States—resulted in a great deal of interest by journalists, politicians, and scholars. Yet, although scholars across the Soviet Bloc produced an impressive body of work on a range of sinological studies, with rare exceptions most of those scholars and their work remains unknown outside their own intellectual circles. This book redresses this dearth of knowledge of sinological scholarship, providing invaluable and unique glimpses of Soviet Bloc sinologists and their work during the Cold War, including cutting-edge research on lesser-studied communist states such as Poland, Hungary, Mongolia, and others. International in scope, this book is ideal for scholars and researchers of modern history, Chinese studies, sinology, and the Cold War.

Examining three works of vernacular fiction dating from 1750 to 1828, this book studies the intellectual and literary factors that in the mid-Qing dynasty contributed to the development of vernacular fiction of unprecedented scholarly and satirical sophistication.

The complete book of Chinese characters that covers every aspect of, and therefore answers all the questions one might have for, these fascinating ancient language symbols from script evolution to colour-illustrated biographies including proper Stroke sequences and from the complete Compound anatomy to the trinity of Sounds, Semantics, and Synopses. This series of books is the ultimate guide and reference for first-time learners as well as masters of the language. It is for both the teachers and self-motivated students. This is the 1st volume of the series, covering the 1st 100 most frequently used Chinese characters as presented with their full colour illustrations and arranged in columns from right to left on the front cover. For its extensive colour illustrations throughout, this book is best read with a colour screen reader.

In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.