While there have been collections of ghost stories and fantasy tales before THE LITTLE BIG BOOK OF CHILLS AND THRILLS, none have so completely combined all the frightening and magical elements that have enchanted and spooked children for generations. Filled with scary stories, poems, spells, superstitions, and even recipes, and fabulously designed with early 20th-century illustrations, THE LITTLE BIG BOOK OF CHILLS AND THRILLS will provide many nights of creeps and shivers that will last well beyond Halloween Eve. Included in this hauntingly fun little book are: * Ghost Stories, including such classics as The Legend of Sleepy Hollow and The Monkey's Paw * Tales of Magic and Fantasy from Alice in Wonderland to The Hobbit * Poems spanning the witches' chant from Macbeth to Poe's The Raven * Spells for kids and grown-ups alike to try, including Abracadabra! * Curses gone unexplained for centuries, such as the curse of the Burton Agnes Skull * Superstitions, Legends, and Lore offer history on mystical items like mirrors and candles, the meaning behind All Hollows Eve, and the legends of Houdini and Merlin * Magic Tricks, complete with instructional illustrations * Treats to make, including Cauldron Cookies and Witches' Brew.

Goosebumps creator R.L. Stine teams up with the pop-culture phenomenon Garbage Pail Kids for the second volume in this all-new illustrated middle-grade series sure to amuse, entertain, and blow readers away! The Garbage Pail Kids are desperate to win the Smellville Pet Contest. But how can they compete against Good Boy, the perfect Chihuahua of the Perfect twins? Good Boy can stand on his head and do algebra problems blindfolded. But the whole thing goes out of control when our heroes meet five new kids who also call themselves the Garbage Pail Kids! Meet Windy Winston, Nat Nerd, Brett Sweat, Nasty Nancy, and Disgustin’ Justin. They all share the grand prize—a free all-day trip to Six Thrills Amusement Park. Will anyone have a good time? And will anyone survive?

A collection of scary stories, magic tricks, spells, superstitions, and legends. Includes such classics as "The Legend of Sleepy Hollow," "The Monkey's Paw," and "The Judge's House."

The stories of fourteen women during the period from 1880 to 1929 who performed feats of daring from being shot out of a cannon to high-diving on horseback.

In this nice fat collection of original stories, some of the most daring writers on the American literary scene take up that slim little word "I" and use it to poke around the darkest, funkiest corners of their very own minds. Here you'll find J.T. LeRoy, Alvin Orloff, Kevin Killian, Dennis Cooper, Inga Muscio, Eileen Myles, Jayson Elliott, Thea Hillman, and a couple of dozen of their fellow travelers sending dispatches from the fringe. And, oh, the people they'll bring into your personal space: speed junkies, scat freaks, cybersexualists, sober virgins, beatnik groupies, punk-rock shoplifters, gender benders, Tourette's syndrome fetishists, gloomophiles, glamazons, and even a naked butoh dancer. You'll laugh, you'll cry, you'll feel soiled and disturbed. You may even be inspired to have a few perverted adventures of your own. Please do! Book jacket.

In the mid-1950s, to combat declining theater attendance, film distributors began releasing pre-packaged genre double-bills--including many horror and science fiction double features. Though many of these films were low-budget and low-end, others, such as Invasion of the Body Snatchers, Horror of Dracula and The Fly, became bona fide classics. Beginning with Universal-International's 1955 pairing of Revenge of the Creature and Cult of the Cobra, 147 officially sanctioned horror and sci-fi double-bills were released over a 20-year period. This book presents these double features year-by-year, and includes production details, historical notes, and critical commentary for each film.

This is the first English-language anthology to provide a compendium of primary source material on the sublime. The book takes a chronological approach, covering the earliest ancient traditions up through the early and late modern periods and into contemporary theory. It takes an inclusive, interdisciplinary approach to this key concept in aesthetics and criticism, representing voices and traditions that have often been excluded. As such, it will be of use and interest across the humanities and allied disciplines, from art criticism and literary theory, to gender and cultural studies and environmental philosophy. The anthology includes brief introductions to each selection, reading or discussion questions, suggestions for further reading, a bibliography and index – making it an ideal text for building a course around or for further study. The book's apparatus provides valuable context for exploring the history and contemporary views of the sublime.