20 New Spine Tingling Tales... Canada’s maestro of the macabre, Michael Kelly, brings you CHILLING TALES: In Words, Alas, Drown I, an all new collection of nightmares that will perturb and torment you. Tales that will leave a frisson of fear and raise a quiver of gooseflesh. A chill is in the air. This tome includes selections by iconic Canadian dark fantasy and horror writers Camille Alexa, Colleen Anderson, Kevin Cockle, Gemma Files, Lisa L Hannett, Derek Künsken, Claude Lalumière, Daniel LeMoal, Catherine MacLeod, Michael Matheson, Susie Moloney, David Nickle, Ian Rogers, Douglas Smith, Simon Strantzas, Edo van Belkom, Halli Villegas, Bev Vincent, Robert J. Wiersema, and Rio Youers, with an introduction by Michael Kelly.

When journalist Robert Stanhope arrives at the Crowsmoor asylum for the criminally insane to interview the institutes enigmatic director, Dr. Lionel Parrish, little does he realize that an apparently simple series of tests will lead him into a terrifying world of murder and insanity… In this chilling new anthology, compiled by multiple award-winning editor Stephen Jones, some of the biggest and brightest names in horror and crime fiction come together to bring you twisted tales of psychos, schizoids, and serial killers with occasional supernatural twists. Reggie Oliver revives Edgar Allan Poe’s wily French detective C. Auguste Dupin, and there is a new story from the popular British mystery series, “Bryant & May” by Christopher Fowler. Internationally best-selling author Michael Marshall also contributes to this collection with the return of The Straw Men conspiracy. An original wraparound sequence in the style of John Llewellyn Probert sets the tone for this dark collection of stories, as well as a hitherto unpublished introduction by Robert Bloch, author of Psycho and the inspiration for Alfred Hitchcock’s famous film. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories—stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards. More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join

Best New Horror combines dozens of the best and grisliest short stories of today. For twenty-five years this series has been published in the United Kingdom as The Mammoth Book of Best New Horror, and now comes to the US to delight and terrify thriller enthusiasts. This has been the world’s leading annual anthology dedicated solely to showcasing the best in contemporary horror fiction. This newest volume offers outstanding new writing by masters of the genre, such as Joan Aiken, Peter Atkins, Ramsey Campbell, Christopher Fowler, Joe R. Lansdale, John Ajvide Lindqvist, Robert Silverberg, Michael Marshall Smith, Evangeline Walton, and many others! Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

For a quarter of a century, this multiple award-winning annual selection has showcased some of the very best, and most disturbing, short stories and novellas of horror and the supernatural. As always, this landmark volume features superior fiction from such masters of the genre and newcomers in contemporary horror as Michael Chislett; Thana Niveau; Reggie Oliver; Tanith Lee; Niel Gaiman; Robert Shearman; Simon Strantzas; Lavie Tidhar; Simon Kurt Unsworth and Halli Villegas. With an in-depth introduction covering the year in horror, a fascinating necrology and a unique contact directory, The Mammoth Book of Best New Horror remains the world’s leading anthology dedicated solely to presenting the very best in modern horror. Praise for previous Mammoth Books of Best New Horror: 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times. 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney. 'An essential volume for horror readers.' Locus

For nearly twenty-five years The Mammoth Book of Best New Horror has been the world's leading annual anthology dedicated solely to showcasing the best in contemporary horror fiction. Comprising the most outstanding new short fiction by both contemporary masters of horror and exciting newcomers, this multiple award-winning series also offers an overview of the year in horror, a comprehensive necrology of recent obituaries, and an indispensable directory of contact details for dedicated horror fans and writers. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction. Praise for previous Mammoth Books of Best New Horror: 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times. 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney. 'An essential volume for horror readers.' Locus

Winner of the World Fantasy Award—“Should single out Marshall as one of the most accomplished writers of the fantastic being published today” (This Is Horror). Ghost thumbs. Microscopic dogs. One very sad can of tomato soup . . . Helen Marshall’s second collection offers a series of twisted surrealities that explore the legacies we pass on to our children. A son seeks to reconnect with his father through a telescope that sees into the past. A young girl discovers what lies on the other side of her mother’s bellybutton. Death’s wife prepares for a very special funeral. In Gifts for the One Who Comes After, Marshall delivers eighteen tales of love and loss that cement her as a powerful voice in dark fantasy and the New Weird. Dazzling, disturbing, and deeply moving. “Helen Marshall is a writer who creates real people in real situations, then uses the fantastic to pry her way inside her readers’ ribcages and break us wide open.” —Neil Gaiman, New York Times–bestselling author of American Gods “Helen Marshall whispers in your ear when she fits the noose around your neck, filling you with wonder and dread, urging you into a startling, beautiful darkness. These stories—which sometimes feel more like spells—are the very best kind of unsettling.” —Benjamin Percy, author of The Dark Net “In turns chilling, heart-wrenching and uplifting. Marshall has a way with words that makes even the most peculiar seem possible, and the stories here are each so layered with character and meaning, they are like perfect, condensed novels.” —Kaaron Warren, award-winning author of Tide of Stone