Ruffled dresses, full skirts, pantaloons, and loose gowns of the "Empire" cut for girls; and for boys — long trousers buttoned to a shirt, sailor suits, and velvet knee-breeches. 32 black-and-white illustrations.

As Halloween nears, Monster tries out a variety of costumes, including a cowboy, a ballerina, and a ninja, but finally comes up with the perfect idea.

There has been a great deal of recent interest in masculine clothing, examining both its production and consumption, and the ways in which it was used to create individual identities and to build businesses, from 1850 onwards. Drawing upon a wide range of sources this book studies the interaction between producers and consumers at a key period in the development of the ready-made clothing industry. It also shows that many innovations in advertising clothing, usually considered to have been developed in America, had earlier British precedents. To counter the lack of documentary evidence that has hitherto hampered research into the dress practices of non-elite groups, this book utilises thousands of unpublished visual documents. These include hundreds of manufacturers' designs, which underline an unexpected degree of investment by manufacturers in boys' clothing, and which was matched by heavy investment in advertising, with thousands of images of boys' clothing for shop catalogues in the Stationers' Hall copyright archive. Another key source is the archives of Dr Barnardo's Homes. This extraordinary collection contains over 15,000 documented photographs of boys entering between 1875 and 1900, allowing us to look beyond official polarization of 'raggedness' and 'respectability' used by charities and social reformers of all stripes and to establish the clothing that was actually worn by a large sample of boys. A close analysis of 1,800 images reveals that even when families were impoverished, they strove to present their boys in ways that reflected their position in the family group and in society. By drawing on these visual sources, and linking the design and retailing of boys' clothing with social, cultural and economic issues, this book shows that an understanding of the production and consumption of the boys clothing is central to debates on the growth of the consumer society, the development of mass-market fashion, and concepts of childhood and masculinity.

The most comprehensive and detailed survey of Western children's historical clothing ever published—an invaluable resource for designers and historians. John Peacock charts the development of every kind and style of apparel from earliest times to the present day, for both boys and girls. The hundreds of specially drawn illustrations reproduce in meticulous detail a host of examples from every era of children’s clothing: the fringed and tasseled outerwear of Eastern antiquity, medieval tunics and fur-trimmed hats, exquisite seventeenth-century miniature gowns, delicate nineteenth-century printed cotton dresses and slippers, and the denim sportswear of our own time. There are also special pages on children’s caps, hats, bonnets, berets, shoes, and more. The specially drawn pictures are arranged in six chronological sections and accompanied by full descriptions that include details on fabrics, trimmings, and accessories. An invaluable time chart summarizes the development of children’s clothes throughout the centuries.

Since its first publication in 1980, The Costume Technician's Handbook has established itself as an indispensable resource in classrooms and costume shops. Ingham and Covey draw on decades of hands-on experience to provide the most complete guide to developing costumes that are personally distinctive and artistically expressive. No other book covers the same breadth of necessary topics for every aspect of costuming, from the basics of setting up a costume shop to managing one and everything in between.

"Survey of Historic Costume presents a thorough overview and chronology of Western dress from the ancient world to the trends of today"--