The Routledge International Encyclopedia of Queer Culture covers gay, lesbian, bisexual, transgender and queer (GLBTQ) life and culture post-1945, with a strong international approach to the subject.The scope of the work is extremely comprehensive, with entries falling into the broad categories of Dance, Education, Film, Health, Homophobia, the Int

Everyone's favorite feline superhero is back for even more hilarious adventures set in the Cat Ninja-verse. Catch up with Cat Ninja, Master Hamster, and the rest of the family as they face...the suburbs! When Dad buys a new house outside the city, the kids are less than excited about new neighbors, backyard barbecues, and quiet, tree-lined streets. And they're not alone--a summer in the suburbs is enough to make Cat Ninja miss the villains of Metro City! Our hero and his family feel like fish out of water when they arrive in Peaceful Valley, but it won't be long before Dad's new neighborhood reveals its scaly, golden underbelly. This volume includes: Five full-length comics One bonus Cat Ninja Tale

This book reflects on theoretical developments in the political theory of care and new applications of care ethics in different contexts. The chapters provide original and fresh perspectives on the seminal notions and topics of a politically formulated ethics of care. It covers concepts such as democratic citizenship, social and political participation, moral and political deliberation, solidarity and situated attentive knowledge. It engages with current debates on marketizing and privatizing care, and deals with issues of state care provision and democratic caring institutions. It speaks to the current political and societal challenges, including the crisis of Western democracy related to the rise of populism and identity politics worldwide. The book brings together perspectives of care theorists from three different continents and ten different countries and gives voice to their unique local insights from various socio-political and cultural contexts. Chapter 11 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

One of the highest-ranking defectors from Scientology exposes the secret inner workings of the powerful organization in this remarkable memoir that is “not only a cautionary tale but also an inspiring story of resilience” (Leah Remini, New York Times bestselling author). Mike Rinder’s parents began taking him to their local Scientology center when he was five years old. After high school, he signed a billion-year contract and was admitted into Scientology’s elite inner circle, the Sea Organization. Brought to founder L. Ron Hubbard’s yacht and promised training in Hubbard’s most advanced techniques, Rinder was instead put to work swabbing the decks. Still, Rinder bought into the doctrine that his personal comfort was secondary to the higher purpose of Hubbard’s world-saving mission, swiftly rising through the ranks. In the 1980s, Rinder became Scientology’s international spokesperson and the head of its powerful Office of Special Affairs. He helped negotiate Scientology’s pivotal tax exemption from the IRS and engaged with the organization’s prominent celebrity members, including Tom Cruise, Lisa Marie Presley, and John Travolta. Yet Rinder couldn’t shake a nagging feeling that something was amiss—Hubbard’s promises remained unfulfilled at his death, and his successor, David Miscavige, was a ruthless and vindictive man who did not hesitate to confine many top Scientologists, Mike among them, to a makeshift prison known as the Hole. In 2007, at the age of fifty-two, Rinder finally escaped Scientology. Overnight, he became one of the organization’s biggest public enemies. He was followed, hacked, spied on, and tracked. But he refused to be intimidated and today helps people break free of Scientology. “An intensely personal, cathartic memoir of blind allegiance, betrayal, and liberation” (Kirkus Reviews, starred review), A Billion Years reveals the dark, dystopian truth about Scientology as never before.

An archive-based, in-depth analysis of the surreal nature and science movies of the pioneering French filmmaker Jean Painlevé Before Jacques-Yves Cousteau, there was Jean Painlevé, a pioneering French scientific and nature filmmaker with a Surrealist’s eye. Creator of more than two hundred films, his studies of strange animal worlds doubled as critical reimaginations of humanity. With an unerring eye for the uncanny and unexpected, Painlevé and his assistant Geneviève Hamon captured oneiric octopuses, metamorphic crustaceans, erotic seahorses, mythic vampire bats, and insatiable predatory insects. Zoological Surrealism draws from Painlevé’s early oeuvre to rethink the entangled histories of cinema, Surrealism, and scientific research in interwar France. Delving deeply into Painlevé’s archive, James Leo Cahill develops an account of “cinema’s Copernican vocation”—how it was used to forge new scientific discoveries while also displacing and critiquing anthropocentric viewpoints. From Painlevé’s engagements with Sergei Eisenstein, Georges Franju, and competing Surrealists to the historiographical dimensions of Jean Vigo’s concept of social cinema, Zoological Surrealism taps never-before-examined sources to offer a completely original perspective on a cutting-edge filmmaker. The first extensive English-language study of Painlevé’s early films and their contexts, it adds important new insight to our understanding of film while also contributing to contemporary investigations of the increasingly surreal landscapes of climate change and ecological emergency.

Running Fence is a photographic document by Toronto artist Geoffrey James, focusing on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending at the Otay Mountains. With its ironic reference to the famous project by Romanian-born artist Christos, James' Running Fence explores the iconography of the border, at a time when the world was hastening toward greater globalization and a new century.