From the author of the hit The Evenings - two classic novellas that are considered among Gerard Reve's best work There will be a club. Important messages have been sent already. If anybody wants to ruin it, he will be punished. Eleven-year-old Elmer inhabits a childhood of superstition, private lore and secret societies that only certain friends can join (and of which he is always president). When a new boy, pale, spindly Werther, arrives in the neighbourhood, a subtle game of fascination and persecution begins. In wartime Amsterdam, a young boy watches as Germans occupy the city. At first his parents' friends, the Boslowits family, think they have little to fear. Then, slowly, terribly, their fate is sealed. In these two haunting novellas from the acclaimed author of The Evenings, the world of childhood, in all its magic and strangeness, darkness and cruelty, is evoked with piercing wit and dreamlike intensity. Here, the things seen through a child's eyes are far from innocent.

From the author of the hit The Evenings - two classic novellas that are considered among Gerard Reve's best work Young Elmer longs to make friends and tries to control the world around him by forming secret clubs, of which he is always the president. When he invites Werther to become a member, a game of attraction and repulsion begins. What follows is a psychological masterpiece; Reve brilliantly conjures up a child's whole world, full of oppression and enchantment. During the Nazi occupation of Amsterdam, a boy watches as the family of one of his friends slowly loses everything and is then taken away. This is a deceptively simple story imbued with subtle horror. These two classic novellas, from the giant of post-war Dutch literature Gerard Reve, have all of the uncanny atmosphere and the incisive, dark wit of The Evenings.

From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children. The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.” Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world. Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are. The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.

These two searingly funny and unsettling portraits of teenagers beyond the control and largely beneath the notice of adults in 1980s Taiwan are the first English translations of works by Taiwan's most famous and best-selling literary cult figure. Chang Ta-chun's intricate narrative and keen, ironic sense of humor poignantly and piercingly convey the disillusionment and cynicism of modern Taiwanese youth. Interweaving the events between the birth of the narrator's younger sister and her abortion at the age of nineteen, the first novel, My Kid Sister, evokes the complex emotional impressions of youth and the often bizarre social dilemmas of adolescence. Combining discussions of fate, existentialism, sexual awakening, and everyday "absurdities" in a typically dysfunctional household, it documents the loss of innocence and the deconstruction of a family. In Wild Child, fourteen-year-old Hou Shichun drops out of school, runs away from home, and descends into the Taiwanese underworld, where he encounters an oddball assortment of similarly lost adolescents in desperate circumstances. This novel will inevitably invite comparisons with the classic The Catcher in the Rye, but unlike Holden Caulfield, Hou isn't given any second chances. With characteristic frankness and irony, Chang's teenagers bear witness to a new form of cultural and spiritual bankruptcy.

From the author of The Great Glass Sea, three linked novellas set between the Virginias about men confronting love, loss, and personal demons. Set in the hardscrabble hill country between the Virginias, The New Valley contains characters striving to forge new lives in the absence of those they have loved. Told in three varied and distinct voices—a soft-spoken middle-aged beef farmer struggling to hold himself together after his dad’s death; a health-obsessed single father desperate to control his reckless, overweight daughter; and a developmentally delayed man who falls in love with a married woman intent on using him in a scheme that will wound them both—each story explores survival, isolation, and the deep, consuming ache for human connection. As the men battle against grief and solitude, their heartache leads them all to commit acts that will bring both ruin and salvation, in these tales “full of tenderness and looming menace” (The New York Times Book Review). “Stark and haunting . . . Delivers great beauty” —Publishers Weekly, starred review “[Weil’s] language is exquisite, his sentences glorious. . . . Refreshing and engaging.” —Ploughshares

"I've known JG Faherty since he was an up-and-comer. Now he's arrived. Start reading him now-as in TODAY-so you won't have to play catch-up later." -F. Paul Wilson, author of the bestselling Repairman Jack series "Every horror novella should read like this, a non-stop thrill ride that amps up the terror with each chapter." -Russell James, author of Q Island, on The Bear Who Wouldn't Leave Four original novellas to make you hide under the covers! Ah, the carefree, sunny days of childhood. And oh, the terrifying, dark nights. Nights when you closed your eyes tight, afraid to open them and see the painted, eternally leering face of a clown mere inches from your own. Nights when you could look out your bedroom window and watch the scarecrows walk across the lonely cornfields. When every story or fairytale your parents told you seemed to include monsters. And when even the teddy bear by your side had fangs and plans of his own. Travel back to those nights of horror now with four original novellas by four wonderfully macabre authors. And...sleep tight!

“[B[oth these fine novellas unfurl the kind of complicated family tapestries that every generation ends up weaving from money and love.” —Wall Street Journal Fate is explored in the fall and rise of two twentieth-century American families. Victoria Shorr’s remarkable gift for depicting the inner lives of complex characters shines in two powerful explorations of family, ambition, class, and status. In “Great Uncle Edward,” a family gathers for dinner. At ninety-three, Great Uncle Edward commands the table in his three-piece suit; Cousin Russell attended both Harvard and Yale but is now reduced to selling off the family books; sisters Betty and Molly are caught between ghosts of a storied past and creeping destitution. These lives are signposts along the downward spiral of an old aristocracy. “Cleveland Auto Wrecking” introduces Sam White, an immigrant from eastern Europe. He cannot read but has a gift for math and an instinct for the value of junk. We follow his clan through the Depression to the postwar boom in the West, where their fortunes soar, creating new tests of loyalty. Taken together, these two novellas might be the reverse images of the American dream in the twentieth century. They ask to what degree, in the face of such powerful forces as love, death, and social constraints, do any of us have control over our own lives.