ñThe pain comes not from nostalgia . . . I write because I cannot remember at all,î Carolina Hospital explains in her poem, ñDear TÕa.î HospitalÍs poetry becomes the art of tracing her journey through exile and across both psychological and cultural borders. Hospital left Cuba as a child, accompanying her parents seeking refuge in the U.S. Her creative act of recall, in poems written between 1983 and 2003, the formative years in the poetÍs life, chronicles her search for meaning and identity as a woman and a Latina living in the U.S. Hospital unravels the world around her, the hyphenated man, the vendors outside of the Jos? Marti YMCA in Miami, the rafters who chart violent waters for a dream, and her own family and friends. With stunning and sharp beauty, HospitalÍs poems conjure a community caught between conflicting myths and cultures. She spins a wide range of themes: love and betrayal, motherhood and sacrifice, creation and the quest for faith, and loss of communication. In the end, this poetry memoir provides consolation, for it is in the common condition of exile and yearning to belong that we connect as human beings.

After Edwy is smuggled off to Refuge City to stay with his brother and sister, Rosi, Bobo, and Cana are stuck alone—and in danger—in Cursed Town in the thrilling follow-up to Children of Exile from New York Times bestselling author, Margaret Peterson Haddix. It’s been barely a day since Edwy left Fredtown to be with his parents and, already, he is being sent away. He’s smuggled off to boarding school in Refuge City, where he will be with his brother and sister, who don’t even like him very much. The boarding school is nothing like the school that he knew, there’s no one around looking up to him now, and he’s still not allowed to ask questions! Alone and confused, Edwy seeks out other children brought back from Fredtown and soon discovers that Rosi and the others—still stuck in the Cursed Town—might be in danger. Can Edwy find his way back to his friends before it’s too late?

After generations of peace, Morrhyn watches the people of his clan descend into bloodshed and war when two young men, rivals for the love of the same woman, set everyone at odds and place the clan's future in the hands of three outlaws. Original.

Kiandra has to use her wits and tech-savvy ways to help rescue Edwy, Enu, and the others from the clutches of the Enforcers in the thrilling final novel of the Children of Exile series from New York Times bestselling author, Margaret Peterson Haddix. Since the Enforcers raided Refuge City, Rosi, Edwy, and the others are captured and forced to work as slave labor on an alien planet, digging up strange pearls. Weak and hungry, none of them are certain they will make it out of this alive. But Edwy’s tech-savvy sister, Kiandra, has always been the one with all the answers, and so they turn to her. But Kiandra realizes that she can’t find her way out of this one on her own, and they all might need to rely on young Cana and her alien friend if they are going to survive.

Originally published: New York: Free Press, 2010.

In her third collection, Indonesian American poet Cynthia Dewi Oka dives into the implications of being parents, children, workers, and unwanted human beings under the savage reign of global capitalism and resurgent nativism. With a voice bound and wrestled apart by multiple histories, Fire Is Not a Country claims the spaces between here and there, then and now, us and not us. As she builds a lyric portrait of her own family, Oka interrogates how migration, economic exploitation, patriarchal violence, and a legacy of political repression shape the beauties and limitations of familial love and obligation. Woven throughout are speculative experiments that intervene in the popular apocalyptic narratives of our time with the wit of an unassimilable other. Oka’s speakers mourn, labor, argue, digress, avenge, and fail, but they do not retreat. Born of conflicts public and private, this collection is for anyone interested in what it means to engage the multitudes within ourselves.

During the 1979 revolution, Iranians from all walks of life, whether Muslim, Jewish, Christian, socialist, or atheist, fought side-by-side to end one tyrannical regime, only to find themselves in the clutches of another. When Khomeini came to power, freedom of the press was eliminated, religious tolerance disappeared, women’s rights narrowed to fit within a conservative interpretation of the Quran, and non-Islamic music and literature were banned. Poets, writers, and artists were driven deep underground and, in many cases, out of the country altogether. This moving anthology is a testament to both the centuries-old tradition of Persian poetry and the enduring will of the Iranian people to resist injustice. The poems selected for this collection represent the young, the old, and the ancient. They are written by poets who call or have called Iran home, many of whom have become part of a diverse and thriving diaspora.