Dale Chihuly is considered one of the most innovative and iconic figures in contemporary art. He's also an avid collector of everything from mid-century chairs and Native American baskets to dollhouse furniture and transistor radios. You name it, the artist collects and thoughtfully displays it. Including ten full-color images from Dale's beloved collections, which are featured in the book Chihuly: An Artist Collects, these playful postcards offer a rare look inside the mind of a passionate collector.

Ten full-color postcards feature artwork from the accompanying book, Chihuly: On Color and Form. This postcard set showcases a few of the artist's drawings along with images from his well-known series: Baskets, Seaforms, Macchia, Persians and Venetians.

Dale Chihuly (b. 1941), one of the most inno-vative and iconic figures in contemporary art, is also an avid collector of everything from ceramic dogs to inkwells, vintage Christmas orna-ments, dollhouse furniture, plastic radios--you name it, Chihuly collects it. These everyday objects reflect the same playful, colorful aesthetic that can be seen in Dale Chihuly's sculptures and installations. Fully illustrated, Chihuly: An Artist Collects includes an essay by Chihuly's longtime friend, artist Bruce Helander, who considers why people collect and explores the collections of artists such as Damien Hirst, Peter Blake, Andy Warhol, Pablo Picasso--and of course, Dale Chihuly.

A graphic biography of the real-life sideshow performer who inspired Zippy the Pinhead: “An uplifting, wonderfully humane book.” —The New York Times From Coney Island and the Ringling Bros. Circus to small-town carnivals and big-city sideshows, Nobody’s Fool follows the long, legendary career of Schlitzie, today best known for his appearance in the cult classic film Freaks, the making of which is a centerpiece of the story. In researching Schlitzie’s life, Griffith has tracked down primary sources and archives throughout the country, conducting interviews with those who worked with him and had intimate knowledge of his personality, his likes and dislikes, how he responded to being a sideshow “freak,” and much more. This graphic biography provides never-before-revealed details of his life, offering a unique look into his world and contributions to popular culture, including the immortal phrase “Are we having fun yet?” “Virtuoso comic-strip artist Bill Griffith gives voice to a true outcast—the sideshow attraction born Simon Metz (probably) in the Bronx (probably) in 1901.” —The New York Times “The underlying message of Nobody’s Fool? I get it—underneath our grandiose opinions of ourselves we’re all pinheads and freaks . . . The best graphic novel of the year.” —R. Crumb “A captivating labor of love that integrates American sideshow history and autobiographical segments . . . an astonishing life, beautifully told. Or, as Schlitzie would say, it’s boffo!” —Booklist (starred review) “A masterpiece of absurdity and humanity. After all these years Schlitzie still triggers laughter and tears.” —Steve Heller, Print

Competition for management jobs intensifies each year. If you are betting your financial welfare on your next management position and subsequent promotions, you will need to be better prepared to capture these increasingly scarce opportunities. In Empower Your Inner Manager, author Ian R. Mackintosh presents a quick guide to help you assess your management skills and create a personalized plan to improve those skills. A career and personal development tool, Empower Your Inner Manager offers a unique process that shows you how to • target management positions; • honestly assess the skills needed to optimize your candidacy; • target only the skills needed to improve; • develop a personalized plan to effect the necessary improvements; and • reassess and revisit your growth needs as they evolve in the future. Building on more than thirty years of management experience in Silicon Valley, Mackintosh provides a hands-on, personal guide to help you to optimize your career, stand out in today’s ultra-competitive job market, and get the job you seek.

Written in the 1950s and '60s, the "action poems" comprising a A User's Manual were published in their complete form in 1969 when they were paired with the 52 collages of Weekly 1967, the first of Kolář's celebrated series in which he commented visually on a major event for each week of the year. Taking the form of directives, largely absurd, the poems mock communist society's officialese while offering readers an opportunity to create their own poetics by performing the given directions. The collages on the facing pages to the poems are composed of layered documents, image cutouts, newspaper clippings, announcements, letter fragments, reports, or decontextualized words, oftentimes forming concrete patterns or the outlines of figures, to create a sort of "evidential" report on the year. Text and image taken together, the volume displays Kolář's enduring interest in extracting poetry from the mundane to demolish the barrier separating art from reality, or even to elevate reality itself through this dual poetics to the level of art. What art historian Arsén Pohribný wrote about Weekly 1968 equally applies to Weekly 1967: it "shocks with its abrupt stylistic twists" and is "a Babylonian, hybrid parable of multi-reality." The volume also includes the complete Czech text as an appendix.