Dale Chihuly (b. 1941), one of the most inno-vative and iconic figures in contemporary art, is also an avid collector of everything from ceramic dogs to inkwells, vintage Christmas orna-ments, dollhouse furniture, plastic radios--you name it, Chihuly collects it. These everyday objects reflect the same playful, colorful aesthetic that can be seen in Dale Chihuly's sculptures and installations. Fully illustrated, Chihuly: An Artist Collects includes an essay by Chihuly's longtime friend, artist Bruce Helander, who considers why people collect and explores the collections of artists such as Damien Hirst, Peter Blake, Andy Warhol, Pablo Picasso--and of course, Dale Chihuly.

Features the artist's glass sculptures from "The Garden Cycle" exhibition that were displayed in prominent conservatories and gardens around the world.

Team Chihuly describes the relationship and developement between master glassblower Dale Chihuly as well as other renowned artists including Dante Marioni, Benjamin Moore, William Morris, and Richard Royal as well as Italian Glass Masters, Pino Signoretto and Lino Tagliapietra.

"Drawing on the museum's historic Renaissance collections and expertise, the book also explores the development of the Venetian glass workshop and Chihuly's enormous influence in introducing it and Venetian glassmakers to the United States. It also includes a brief resume of his career and an assessment of his art and its significance."--BOOK JACKET.

Dale Chihuly's Ulysses Cylinders-with drawings by Seaver Leslie adapted to glass-follow the course of James Joyce's Ulysses. They capture the spirit of the novel and its place in Irish culture, bringing new light to one of the masterpieces of the 20th Century.Striking, enigmatic, and provocative, the Cylinders stand as some of Chihuly's most intellectually compelling and unique works. In this new book, stunning images of the Cylinders are accompanied by essays from art and literary critics which frame the history and significance of both Chihuly's work and the work of Joyce.

This book chronicles four decades of Dale Chihuly's work on paper, a dynamic collection that is a fascinating study of variety. Many of the drawings are drenched in thick, bold layers of colour. Others are more elusive -- just a hint of form sketched with a fistful of pencils or a confidently manipulated charcoal. Over the years his style has evolved, becoming more abstract and more elaborate, and his drawings, in some cases, have become much larger. But there are no rules; a technique that Chihuly favoured a decade before may resurface again. The excitement of Chihuly's work on paper is in its unpredictability, and that in two dimensions Chihuly is free to let his grandest schemes come to fruition. Above all, Chihuly's work on paper revels in the monumental creativity that is essentially Chihuly.

First edition originally published in 1997; second edition originally published in 1998 by Portland Press, Seattle.