Dale Chihuly (b. 1941), one of the most inno-vative and iconic figures in contemporary art, is also an avid collector of everything from ceramic dogs to inkwells, vintage Christmas orna-ments, dollhouse furniture, plastic radios--you name it, Chihuly collects it. These everyday objects reflect the same playful, colorful aesthetic that can be seen in Dale Chihuly's sculptures and installations. Fully illustrated, Chihuly: An Artist Collects includes an essay by Chihuly's longtime friend, artist Bruce Helander, who considers why people collect and explores the collections of artists such as Damien Hirst, Peter Blake, Andy Warhol, Pablo Picasso--and of course, Dale Chihuly.

For more than 30 years the author has dazzled the public with his flamboyant creations. His blown glass works are on display in more than 180 museums around the world. This volume focuses on his most imposing creations.

Dale Chihuly is the most famous and influential artist working in glass today. A career-spanning biographical essay by curator Timothy Anglin Burgard and stunning colour photography of the works will captivate Chihuly's myriad fans - both old and new.

Features the artist's glass sculptures from "The Garden Cycle" exhibition that were displayed in prominent conservatories and gardens around the world.

Chihuly is a supremely imaginative master of technique and bravura. Extraordinary, magical glass is his stock-in-trade, and the Silvered series is among the most technically ambitious and aesthetically adventurous art of his career so far. Jennifer Opie, from the introduction Though Chihuly first experimented with the effects of silvered glass in 1996, it wasn't until 2009 that he began to explore the full range of possibilities that silvering glass could have for his work, in particular in his Cylinder and Venetians series. The Silvered series that emerged from this experimentation is remarkably striking and singular for its stunning use of color and light. By using silvered glass Chihuly is able to extend the reflective quality of the glass to manipulate the colors in the works and, in some cases, to magnify the dimensionality and articulation of form. With an introduction by Jennifer Opie that places Chihuly's silvered glass in its broader historical context, Chihuly Silvered is the first comprehensive survey of Dale Chihuly's work using silvered glass showcasing the unique beauty of his newest series.

The first children's book about Dale Chihuly, the world-renowned glass sculptor His crew calls him Maestro. Thousands of fans call him a magician. Over the past five decades, Dale Chihuly (b. 1941) has created some of the most innovative and popular works of art in museums and gardens around the world. Authors Jan Greenberg and Sandra Jordan met with Chihuly in his studio for exclusive interviews discussing his early life, his passion for glassblowing, and his dazzling works. Lavishly illustrated with Chihuly's art and family photographs, this book discusses Chihuly's workshop and his glassblowing technique. The book includes a step-by-step look at how blown glass is created, a list of places to see Chihuly's artwork, endnotes, a bibliography, and an index.

The Taos Pueblo Exhibition is the beginning of an exploration of the wonders of glass art. We began this trail of beauty with a guide, Dale Chihuly, who made this art his life, say the leaders of the Taos Pueblo. Dale Chihuly made his first trip to the Southwest in 1974. A year later, he was deeply affected by a museum collection of Navajo Blankets and began to experiment with simple, cylindrical forms, which became the Navajo Blanket Cylinders. Boasting ingeniously applied patterns of colourful glass threads, the series became an important milestone from which his art evolved. The most obvious influence of this early series is visible in the Soft Cylinders, more irregularly shaped and elaborately decorated than their predecessors. In another opportune encounter, Chihuly happened upon a pile of old Northwest Coast Indian hand-woven baskets that inspired him toward one of his most recognisable and innovative glass series, the Baskets. Thin-walled and nested inside each other, the Basket series exemplifies Chihuly's signature organic, free-form style.This vellum-covered book tells the visual story of Chihuly's Native American influences, coming full circle with the Taos Pueblo Exhibition. Includes the inspiring essay, 'Dale Chihuly and the Indian Connection' by Lloyd Kiva New, President of the Institute of American Indian Arts.