Here is a contemporary Mi’kmaq legend of the life of a great man, who becomes chief, the embodiment of Mi’kmaq values of humility, courage, honour, service and sacrifice of personal gain for the sake of others. He lived a long and storied life, hundreds of years ago, before the arrival of the European scouts and, later, their warships. He was a renowned warrior but, more so, a peacemaker. His people followed him to the point of devotion, yet he was uncannily modest, even embarrassed by his own achievements. He suffered great loss, yet his understanding of his place, his role in a great society, a greater natural world and an inestimable metaphysical world, guided him through his pain. Mi’kmaq readers may recognize these time-honoured themes based on traditional tales passing values generation to generation. Others will gain a new appreciation for what was lost under colonialism and the attempted genocide of this vibrant, sophisticated and successful culture and society. With We Were Not the Savages, Daniel Paul changed the way the world understood the history of Eastern Canada and the fully developed civilization that existed before the arrival of the European explorers and settlers, and the nature of the subsequent violent attack on that culture. With Chief Lightning Bolt, Paul shows us exactly what was lost, the beauty of the Mi’kma’ki that once existed, the culture that survived and is only now beginning to recover.

Here is a contemporary Mi'kmaq legend of the life of a great man, who becomes chief, the embodiment of Mi'kmaq values of humility, courage, honour, service and sacrifice of personal gain for the sake of others. He lived a long and storied life, hundreds of years ago, before the arrival of the European scouts and, later, their warships. He was a renowned warrior but, more so, a peacemaker. His people followed him to the point of devotion, yet he was uncannily modest, even embarrassed by his own achievements. He suffered great loss, yet his understanding of his place, his role in a great society, a greater natural world and an inestimable metaphysical world, guided him through his pain. Mi'kmaq readers may recognize these time-honoured themes based on traditional tales passing values generation to generation. Others will gain a new appreciation for what was lost under colonialism and the attempted genocide of this vibrant, sophisticated and successful culture and society. With We Were Not the Savages, Daniel Paul changed the way the world understood the history of Eastern Canada and the fully developed civilization that existed before the arrival of the European explorers and settlers, and the nature of the subsequent violent attack on that culture. With Chief Lightning Bolt, Paul shows us exactly what was lost, the beauty of the Mi'kma'ki that once existed, the culture that survived and is only now beginning to recover.

Halcyon Blithe, being a young man of good breeding and lineage as well as endowed with those qualities and abilities of a sorcerous nature and wishing to fulfill his full potential, is ready to assume his proper place in the world. He aims to seek his fortune among those who tend and sail the awesome nautical juggernauts-the dragonships. With this in mind, Blithe gladly accepts his rank as Midshipwizard and becomes a member of the crew who man the dragonships-vessels which harness the bodies and strength of living dragons with seafaring technology. Combining elements of Hornblower with Harry Potter, and Robert Louis Stevenson with Robin Hobb, Midshipwizard Halcyon Blithe is a nautical tale rich in magic and intrigue. A tale set against a panorama of fantastic naval battle as we follow the career of a young midshipwizard as he moves up through the ranks of His Majesty's Navy.

This book begins where the reach of archaeology and history ends," writes Charles Hudson. Grounded in careful research, his extraordinary work imaginatively brings to life the sixteenth-century world of the Coosa, a native people whose territory stretched across the Southeast, encompassing much of present-day Tennessee, Georgia, and Alabama. Cast as a series of conversations between Domingo de la Anunciacion, a real-life Spanish priest who traveled to the Coosa chiefdom around 1559, and the Raven, a fictional tribal elder, Conversations with the High Priest of Coosa attempts to reconstruct the worldview of the Indians of the late prehistoric Southeast. Mediating the exchange between the two men is Teresa, a character modeled on a Coosa woman captured some twenty years earlier by the Hernando de Soto expedition and taken to Mexico, where she learned Spanish and became a Christian convert. Through story and legend, the Raven teaches Anunciacion about the rituals, traditions, and culture of the Coosa. He tells of how the Coosa world came to be and recounts tales of the birds and animals--real and mythical--that share that world. From these engaging conversations emerges a fascinating glimpse inside the Coosa belief system and an enhanced understanding of the native people who inhabited the ancient South.