Steinberg takes readers through Chicago's vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city's complex web of political favoritism and carefully profiles the characters he meets along the way. Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong.

Classic Rock: Photographs from yesterday and today features the original, high-quality performance photography of veteran photojournalist, Jim Summaria. Through his camera lens, readers get a front row center seat to not only Rock 'n' Roll Hall of Famers in performance, but additional acts often overlooked and whose contributions are compelling. This book draws an intriguing visual contrast between artists in their prime—and, if still performing, as they have appeared more recently. The addition of quick facts and trivia about these artists, and revealing quotes from these musicians, peers, and critics will further entertain readers.

Trading floors in the 60s and 70s involved hundreds of people shouting bids and offers in multi-coloured jackets standing next to each other in different pits, gesticulating with their hands. The decibel levels were extremely high, so high that traders who traded every day had hearing problems later in life. In 1980, the first widely used electronic trading exchange was established.On September 1, 1969, the California Commodity Advisory Research Project (CCARP) was formed and housed at UC Berkeley. The project's first aim was to examine the feasibility of an electronic, for-profit exchange. At the time, there were only 12 exchanges worldwide, and none were for-profit — or electronic. Read first-hand from Richard Sandor, the project director and how CCARP was 20 years too early for the financial world.

At this point in my life, I decided to put life's memories together for my family. In 1922, I was born on a farm in the southwest corner of Mahaska County, Iowa. I am now 85 years old and have lived the BEST life! With this book I hope I can pass along some of the highlights of these 85 years! In my mind, all of it has been fun! World War II entered my life in December of 1942. After 30 hours of pilot training I washed out and went to airplane mechanics school in Biloxi, Mississippi. Out of the War in February of '46, on a Friday. Bought a restaurant on Saturday and went to work on Monday-my life has centered around it ever since. I met my wife of 56 years in 1950. Dorene and I had 4 great children and she has a great business sense. Along the way I was in numerous sidelines (wholesale route, bottling works, grocery store, Joe's Short Order in the Chicago Loop). All the way from Bussey, Iowa to Indianola, it's been great. I hope my family and friends will enjoy this story of my life.

In recent years, there has been something of an explosion in the performance of live music to silent films. There is a wide range of films with live and new scores that run from the historically accurate orchestral scores to contemporary sounds by groups such as Pet Shop Boys or by experimental composers and gothic heavy metal bands. It is no exaggeration to claim that music constitutes a bridge between the old silent film and the modern audience; music is also a channel for non-scholarly audiences to gain an appreciation of silent films. Music has become a means both for musicians and audiences to understand this bygone film art anew. This book is the first of its kind in that it aims to bring together writings and interviews to delineate the culture of providing music for silent films. It not only has the character of a scholarly work but is also something of a manual in that it discusses how to make music for silent films.