This study is devoted to the tracing of the Hebrew literary influence of the Greek text of the New Testament. It discusses specifically one form, the extensive use of the inverted order called chiasmus, a form that seems to be a part of Hebrew thought itself, whether in poetry or in prose. Originally published in 1942. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

You don't know the Book of Mormon until you've read and assimilated the wealth of information in this book!

How can creatures made from dust become members of God's household "forever"? In this New Studies in Biblical Theology volume, Michael Morales explores the narrative context, literary structure and theology of Leviticus, following its dramatic movement from the tabernacle to the temple—and from the earthly to the heavenly Mount Zion in the New Testament.

A significant development during the second half of the 20th century was the growing awareness and understanding of chiasmus in ancient literature. This form of inverted parallelism has been found in the Bible, the Book of Mormon, and in many other ancient writings. It has intrigued many students of ancient writing. This bibliography cites articles and books that discuss chiasmus in scripture and other literature. Thirty years in the making, it is the most exhaustive work of its kind ever completed. It lists about 900 works on chiasmus by author and title and includes full publication information. Researchers can also search by category: Old Testament, New Testament, Book of Mormon, and other literature. This resource includes an appendix on identifying and evaluating chiastic patterns in a given text.

"We read Scripture as we read any literary work, to understand its meaning. Meaning is usually expressed through narrative development, that is, through the unfolding of a story. Meaning, however, can also be expressed by "parallelism": the juxtaposition of ideas and images typical of poetry or musical compositions. A complex yet beautiful example of such parallelism is known as "chiasmus." This is a literary form that has seldom been studied in depth, although it appears with great frequency throughout the Old and New Testaments, as it does in other ancient and many modern literary works." "The Shape of Biblical Language is the most complete and detailed introduction to chiasmus yet published. It also serves as a highly useful reference work that identifies and analyzes a large number of individual passages, as well as entire compositions (gospels, letters, hymns, etc.), which appear throughout the canonical Scriptures and beyond. This is a groundbreaking study that will fascinate and inform anyone who is interested in the dynamics of literary composition. Its special appeal will be to students, scholars, pastors and others who seek to understand more fully the message of the Bible and the way that message is conveyed. Perhaps more than any other literary structures, chiastic patterns reveal the "literal sense" of the text. Their detection and analysis, therefore, is essential for accurate biblical interpretation. Written chiastically, the Bible should be read chiastically. This book guides the reader systematically and effectively toward just such a reading."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Over the centuries, theological studies have grappled with the comprehension of Truth and Goodness. However, theology, unlike philosophy, has neglected serious scrutiny of the study of Beauty or Aesthetics. Jo Ann Davidson's Toward a Theology of Beauty investigates this omission. Why should aesthetic dimensions be ignored in theology's quest for ultimate truth? Davidson convincingly states that these would contribute to the ongoing search for a more comprehensive perception of the divine. This book contends that theology is incomplete and impoverished without fundamental deliberations within aesthetic values. A survey of the literature up to the present currently reveals that theological studies, by and large, do not yet realize the extent to which it might be enriched by the biblical aesthetic. God's own nature, His Word in both Testaments including narratives, poetry, literary structures, and vocabulary are all embedded in aesthetic expressions. A systematic study of the biblical aesthetic is one that calls for attention and this book offers a solid and thought-provoking beginning.