Mexico’s indigenous people speak a number of rich and complex languages today, as they did before the arrival of the Spanish. Yet a common misperception is that Mayas have no languages of their own, only dialectos, and therefore live in silence. In reality, contemporary Mayas are anything but voiceless. Chiapas Maya Awakening, a collection of poems and short stories by indigenous authors from Chiapas, Mexico, is an inspiring testimony to their literary achievements. A unique trilingual edition, it presents the contributors’ works in the living Chiapas Mayan languages of Tsotsil and Tseltal, along with English and Spanish translations. As Sean S. Sell, Marceal Méndez, and Inés Hernández-Ávila explain in their thoughtful introductory pieces, the indigenous authors of this volume were born between the mid-1970s and the mid-1990s, a time of growing cultural awareness among the native communities of Chiapas. Although the authors received a formal education, their language of instruction was Spanish, and they had to pursue independent paths to learn to read and write in their native tongues. In the book’s first half, devoted to poetry, the writers consciously speak for their communities. Their verses evoke the quetzal, the moon, and the sea and reflect the identities of those who celebrate them. The short stories that follow address aspects of modern Maya life. In these stories, mistrust and desperation yield violence among a people whose connection to the land is powerful but still precarious. Chiapas Maya Awakening demonstrates that Mayas are neither a vanished ancient civilization nor a remote, undeveloped people. Instead, through their memorable poems and stories, the indigenous writers of this volume claim a place of their own within the broader fields of national and global literature.

The Ch’ol Maya who live in the western Mexican state of Chiapas are direct descendants of the Maya of the Classic period. Exploring their history and culture, volume editor Karen Bassie-Sweet and the other authors assembled here uncover clear continuity between contemporary Maya rituals and beliefs and their ancient counterparts. With evocative and thoughtful essays by leading scholars of Maya culture, The Ch’ol Maya of Chiapas, the first collection to focus fully on the Ch’ol Maya, takes readers deep into ancient caves and reveals new dimensions of Ch’ol cosmology. In contemporary Ch’ol culture the contributors find a wealth of historical material that they then interweave with archaeological data to yield surprising and illuminating insights. The colonial and twentieth-century descendants of the Postclassic period Ch’ol and Lacandon Ch’ol, for instance, provide a window on the history and conquest of the early Maya. Several authors examine Early Classic paintings in the Ch’ol ritual cave known as Jolja that document ancient cave ceremonies not unlike Ch’ol rituals performed today, such as petitioning a cave-dwelling mountain spirit for health, rain, and abundant harvests. Other essays investigate deities identified with caves, mountains, lightning, and meteors to trace the continuity of ancient Maya beliefs through the centuries, in particular the ancient origin of contemporary rituals centering on the Ch’ol mountain deity Don Juan. An appendix containing three Ch’ol folktales and their English translations rounds out the volume. Charting paths literal and figurative to earlier trade routes, pre-Columbian sites, and ancient rituals and beliefs, The Ch’ol Maya of Chiapas opens a fresh, richly informed perspective on Maya culture as it has evolved and endured over the ages.

The Maya Indian peoples of Chiapas had been mobilizing politically for years before the Zapatista rebellion that brought them to international attention. This authoritative volume explores the different ways that Indians across Chiapas have carved out autonomous cultural and political spaces in their diverse communities and regions. Offering a consistent and cohesive vision of the complex evolution of a region and its many cultures and histories, this work is a fundamental source for understanding key issues in nation building. In a unique collaboration, the book brings together recognized authorities who have worked in Chiapas for decades, many linking scholarship with social and political activism. Their combined perspectives, many previously unavailable in English, make this volume the most authoritative, richly detailed, and authentic work available on the people behind the Zapatista movement.

Mexico's southernmost state, Chiapas, is a land of towering myths and extravagant beauty. Home to the largest concentration of indigenous people in the Americas, its history is marked by brutal oppression and bloodshed that extends to this day. Veteran journalist and author Worth H. Weller, who has covered conflict in Central America for two decades, breaks through the fogs of time in this book of rare insights and photographs to explore the reality of the modern Maya and their unique Zapatista revolutionary movement. An eye-witness epilogue draws a startling parallel between the cultural and economic issues that face the Maya and those that face their Sioux brethren in South Dakota at the close of the millennium. Book jacket.

Four Creations is a collection of seventy-four stories told to Gary H. Gossen by Tzotzil Maya storytellers in San Juan Chamula, Mexico. Spanning four cycles of creations, destructions, and restorations from the dawn of cosmic order to the present era, this epic history reveals a distinctly Maya vision of the universe, grand in scope yet leavened with local humor, irony, and the Tzotzil narrators’ own critical commentaries. Four Creations includes mythic accounts of modern history, such as the Wars of Independence, the Mexican Revolution, and the current Protestant evangelical movement. Given in both transcribed Tzotzil and English translations, the texts are enlivened by more than one hundred Maya Indian drawings and by Gossen’s extensive ethnographic and historical notes based on his conversations with the narrators and more than thirty-five years of study. Miguel León-Portílla’s Foreword situates Four Creations within the broader context of Mesoamerican culture and traditions, while the Afterword by Jan Rus relates this work to recent events in modern-day Chamula.

In the highlands of Chiapas, Mexico, a large indigenous population lives in rural communities, many of which retain traditional forms of governance. In 1996, some 350 women of these communities formed a weavers’ cooperative, which they called Jolom Mayaetik. Their goal was to join together to market textiles of high quality in both new and ancient designs. Weaving Chiapas offers a rare view of the daily lives, memories, and hopes of these rural Maya women as they strive to retain their ancient customs while adapting to a rapidly changing world. Originally published in Spanish in 2007, this book captures firsthand the voices of these Maya artisans, whose experiences, including the challenges of living in a highly patriarchal culture, often escape the attention of mainstream scholarship. Based on interviews conducted with members of the Jolom Mayaetik cooperative, the accounts gathered in this volume provide an intimate view of women’s life in the Chiapas highlands, known locally as Los Altos. We learn about their experiences of childhood, marriage, and childbirth; about subsistence farming and food traditions; and about the particular styles of clothing and even hairstyles that vary from community to community. Restricted by custom from engaging in public occupations, Los Altos women are responsible for managing their households and caring for domestic animals. But many of them long for broader opportunities, and the Jolom Mayaetik cooperative represents a bold effort by its members to assume control over and build a wider market for their own work. This English-language edition features color photographs—published here for the first time—depicting many of the individual women and their stunning textiles. A new preface, chapter introductions, and a scholarly afterword frame the women’s narratives and place their accounts within cultural and historical context.