One day when princess Indumati along with Bheem and friends is making plans to celebrate her father, king Indravarma's birthday; Jaywardhan, who is the king's brothter-in-law barges in the palace. He says that his son Vishnuwardan is kidnapped by tribals and he needs help. But jaywardhan wants Bheem to rescue his son, instead of the soldiers. Will the king understand the conspiracy of Jaywardhan and send Bheem to face the dangerous tribals? Read this story which is filled with adventure, thrill, And fantasy; all rolled in one!

Dholakpur kingdom is all set for the event of the years -The dholakpur athletics. Participants arrive from various countries. All the participants in the bid to win the race forget the greatest virtue of kindness, except Bheem, who not only wins the race and also helps his fellow participants. Read On!

Jaggu's cousin Daggu visits Dholakpur. Jaggu introduces him to Bheem and the others but Daggu is unfriendly, and also misbehaves with everyone. Chutki and Raju get annoyed with Daggu’s behavior. Meanwhile Chutki reminds Bheem that all of them have been invited to the palace and that they need to attend to the King’s summons. Daggu gets excited and pleads with Jaggu to visit the palace. All get worried that Daggu would misbehave, but Bheem agrees. Does Daggu behave himself in the palace? Or does he create more trouble for Bheem? Find out as you read though the comic.

Networks, Labour and Migration among Indian Muslim Artisans provides an ethnography of life, work and migration in a North Indian Muslim-dominated woodworking industry. It traces artisanal connections within the local context, during migration within India, and to the Gulf, examining how woodworkers utilise local and transnational networks, based on identity, religiosity, and affective circulations, to access resources, support and forms of mutuality. However, the book also illustrates how liberalisation, intensifying forms of marginalisation and incorporation into global production networks have led to spatial pressures, fragmentation of artisanal labour, and forms of enclavement that persist despite geographical mobility and connectedness. By working across the dialectic of marginality and connectedness, Thomas Chambers thinks through these complexities and dualities by providing an ethnographic account that shares everyday life with artisans and others in the industry. Descriptive detail is intersected with spatial scales of ‘local’, ‘national’ and ‘international’, with the demands of supply chains and labour markets within India and abroad, with structural conditions, and with forms of change and continuity. Empirically, then, the book provides a detailed account of a specific locale, but also contributes to broader theoretical debates centring on theorisations of margins, borders, connections, networks, embeddedness, neoliberalism, subjectivities, and economic or social flux.