From banker to painter - Cezanne and the Impressionists - Harmony in parallel with nature - Still lifes - Mont Saint-Victoire - Latter years.

Playing on the various meanings of Seeing Through God, John Llewelyn explores the act of looking in the wake of the death of the transcendent God of metaphysics. Taking up strategies developed by the Western sciences for seeing and observing, he finds that the so-called tough-minded practices of the physical sciences are very much at home with the so-called tender-minded practices of Eastern religions. Instead of opposing East and West, Llewelyn thinks that blending these spheres leads to a better understanding of aesthetic experience and imagination. In this blending, he presents a phenomenological description of the imagination and the ethical and religious dimensions of the act of imagining. Seeing Through God touches on themes of salvation, the preservation of the environment, and the role of God in our temptation to dishonor the earth. This unique book presents Llewelyn as one of the leading interpreters of the environmental phenomenology movement.

The Artist’s Garden offers an intriguing study into 20 gardens that have inspired and been home to some of the greatest painters of history. The most alluring image of an artist at work is surely one where he or she has come out of their studio, set up their easel on the garden path, pulled on a hat to shade their eyes from the sun and taken their brush and palette in hand. This sumptuously illustrated and fascinating book delves into the stories behind the gardens which inspired some of the most beautiful and important works of art. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas. This book is as unmissable for art lovers as it is for anyone who knows the joy of time spent in gardens, offering an intriguing insight into the lives of these great painters and the gardens which inspired them to their creative heights.

City Maps Aix-en-Provence France is an easy to use small pocket book filled with all you need for your stay in the big city. Attractions, pubs, bars, restaurants, museums, convenience stores, clothing stores, shopping centers, marketplaces, police, emergency facilities are only some of the places you will find in this map. This collection of maps is up to date with the latest developments of the city as of 2017. We hope you let this map be part of yet another fun Aix-en-Provence adventure :)

In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility—the expression of a distinct collective self-understanding that develops through historical time. Hegel’s approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as Édouard Manet and Paul Cézanne through Hegel’s lens, does what Hegel never had the chance to do. While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art—he famously asserted—was “a thing of the past,” no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel’s position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel’s aesthetic approach in the path-breaking works of Manet, the “grandfather of modernism,” drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at Cézanne, the “father of modernism,” this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel’s account of both modernity and art—Martin Heidegger. Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.

The award-winning author of VAN GOGH'S GARDENS returns with a sumptuously illustrated book showcasing the garden and art of one of the most significant painters of the Impressionist Era. Acclaimed garden writer and photographer Derek Fell continues his celebrated series with a handsome volume featuring the paintings of Cézanne and stunning photographs of his restored garden, which attracts nearly 100,000 visitors each year. This beautifully illustrated book takes a groundbreaking approach to the man and his art. Using images of Cézanne’s studio and gardens in Aix-en-Provence as a starting point, Fell shares the artist's innovative theories about structure, texture, shadow, and light. Through Cézanne’s musings and philosophy of colour and form - captured vividly by the author - the reader enters the artist's creative world, and visits the vertical and architectural gardens Cézanne loved, along with Mt. Sainte-Victoire, the mountain he immortalized in his paintings. A visually breathtaking tour through Cézanne’s beautifully preserved garden and lavish gardens inspired by his work, the book features over a dozen paintings and more than a hundred original colour photographs. CÉZANNE’S GARDEN is a revealing look at one of the world's most beloved Impressionist masters.

Very few books try to capture a subject as vast as the world of art, and even fewer succeed. But Robert Payne has succeeded, and in this book he portrays, in vivid, fresh, nontechnical language, the entire history and achievement of the world’s artists—from the original caveman painters who decorated their homes with animal paintings to contemporary artists, who fill their canvases with often bewildering abstract forms. Payne approaches each artistic period and each great artist with sympathetic understanding and an appreciation of the values and aesthetic ideals of the time. Through carefully chosen illustrations woven into his text, moreover, he shows exactly what makes a work of art great. WORLD OF ART casts its view over all the types of art: not only the Western tradition, but the contributions of Egypt, Persia, India, China, Japan, and other important cultures as well. Yet the book is more than a mere survey, for Robert Payne's special brilliance lies in showing the common spirit and aspiration that have united all the world's great artists. “The main value of this book is spontaneity. There is nothing pedantic about it. Although it ranges all over the world art from its earliest beginnings to the present, the author keeps the flow of his account moving at a rapid pace. Its importance is to offer a fast-paced critical reassessment of the history of art in terms of today’s outlook. Mr. Payne relies chiefly on a beautiful use of language, which enables him to telescope the essence of a culture or period into a few well-turned paragraphs. He gives the reader a dynamic reevaluation based on critical judgments and first-hand observations rather than a rehash of conventional academic views... “Rather than the pedantic accuracy of an encyclopedia approach, Mr. Payne’s book possesses the rare quality of persuasiveness and enthusiasm, and it will send the reader off to go and look.” —Henry A. La Farge, Senior Editor, Art News