In modern Britain, the working class has become an object of fear and ridicule. From Little Britain’s Vicky Pollard to the demonization of Jade Goody, media and politicians alike dismiss as feckless, criminalized and ignorant a vast, underprivileged swathe of society whose members have become stereotyped by one, hate-filled word: chavs. In this acclaimed investigation, Owen Jones explores how the working class has gone from “salt of the earth” to “scum of the earth.” Exposing the ignorance and prejudice at the heart of the chav caricature, he portrays a far more complex reality. The chav stereotype, he argues, is used by governments as a convenient figleaf to avoid genuine engagement with social and economic problems and to justify widening inequality. Based on a wealth of original research, Chavs is a damning indictment of the media and political establishment and an illuminating, disturbing portrait of inequality and class hatred in modern Britain. This updated edition includes a new chapter exploring the causes and consequences of the UK riots in the summer of 2011.

Chavs are identifiable by their attitude (anti anything to do with authority, art, culture or the good of society) and clothes. They want money and lots of it, but don't want to have to work for it. Katie Price is a Chav icon. Reality shows and the Lottery are favourite Chav TV programmes. Here is the branded guide to Britain's new elite - the group taking over high streets up and down the country. Love them or hate them, there's no ignoring them!

Fifteen-year-old Shiraz Bailey Wood's days are filled with hanging around outside Claire's Accessories, her parents work crap jobs, and her school is pretty much loser central. But this loveable British dreamer with a brain and a heart of gold is beginning to feel there might be a lot more to life than minimum wage and the bling of a souped-up car.

In modern Britain, the working class has become an object of fear and ridicule. From Little Britain’s Vicky Pollard to the demonization of Jade Goody, media and politicians alike dismiss as feckless, criminalized and ignorant a vast, underprivileged swathe of society whose members have become stereotyped by one, hate-filled word: chavs. In this acclaimed investigation, Owen Jones explores how the working class has gone from “salt of the earth” to “scum of the earth.” Exposing the ignorance and prejudice at the heart of the chav caricature, he portrays a far more complex reality. The chav stereotype, he argues, is used by governments as a convenient figleaf to avoid genuine engagement with social and economic problems and to justify widening inequality. Based on a wealth of original research, Chavs is a damning indictment of the media and political establishment and an illuminating, disturbing portrait of inequality and class hatred in modern Britain. This updated edition includes a new chapter exploring the causes and consequences of the UK riots in the summer of 2011.

Chav is an attitude, a way of life, a tribal thing and those in it have chosen to be there. Now, with this user's guide, you can check out the new cultural phenomenon that is sweeping Britain!

The book sets out to examine the concept of 'chav', providing a review of its origins, its characterological figures, the process of enregisterment whereby it has come to be recognized in public discourse, and the traits associated with it in traditional media representations. The author then discusses the 'chav' label in light of recent re-appropriations in social network activity (particularly through the video-sharing app TikTok) and subsequent commentary in the public sphere. She traces the evolution of the term from its use during the first decade of the twenty-first century to make sense of class, status and cultural capital, to its resurgence and the ways in which it is still associated with appearance in gendered and classed ways. She then draws on recent developments in linguistic anthropology and embodied sociocultural linguistics to argue that social media users draw on communicative resources to perform identities that are both situated in specific contexts of discourse and dynamically changing, challenging the idea that geo-sociocultural varieties and mannerisms are the sole way of indexing membership of a community. This volume contends that equating 'chav' with 'underclass' in the most recent uses of the concept on social networks may not be the whole story, and the book will be of interest to sociocultural linguistics and identity researchers, as well as readers in anthropology, sociology, British studies, cultural studies, identity studies, digital humanities, and sociolinguistics.

For now, Shiraz is stuck on an estate in Goodmayes, Essex, with her sister Cava-Sue, her nightmare mum Diane and her loved-up mate Carrie. Hoodies, hip-hop and hanging about outside Claire's Accessories. Taking her flatulent Staffy for a walk. Lusting after local lad Wesley Barrington Baines II. It's a limited world for this loveable Essex dreamer. But when new English Teacher Miss Brackett arrives at Mayflower Academy, Shiraz is made to see there's more to life than getting excluded, suped up Vauxhall Novas and Chicago Town pizza. It's time Shiraz began thinking what she wants to do with life. And what sort of person she wants to be. A lot of snooty folk call Shiraz Bailey Wood a chav. Well if by 'Chav' you mean 'Charming, Hilarious, Articulate and Vibrant', Shizza doesn't mind that at all. Call her what you want. She don't care. She's keeping it real.