The fourteenth century is probably best remembered for the conflicts that raged between England and France, known collectively as the Hundred Years War. Begun by Edward III of England who laid claim to the throne of France, it had eventually run its weary course by the reign of his weak and ineffectual grandson Henry VI. Yet in 1370 the Hundred Years War was only a half of the way through, with England in imminent danger of losing most of her territorial possessions in France. At this critical moment in time, Geoffrey Chaucer, court envoy, ambitious poet, and protege of the king's powerful son John of Gaunt, is sent on a secret mission to the territory of the Comte de Guyac to persuade the French nobleman to stay loyal to the English cause. stronghold on the Dordogne in south-west France. The welcome is warm - Chaucer was once in love with Isabelle, the Comte's sister - but within a few days everything has changed. At the end of a hunting expedition, Guyac's body is discovered with a crossbow bolt through the throat. Suspicion points at the new English arrivals. So Chaucer must discover the real culprit if he is to save his own neck. The investigation will turn the poet and diplomat into a fugitive and the truth will not emerge until Chaucer joins Gaunt's brother Edward - known to history as the Black Prince - at the siege of Limoges, one of the crucial events in this endless war.

On its original publication this classic title made sense of a difficult poem for the first time and brought that poem to the center of a concern with the nature of tradition, textuality, and language that is current today. The book forces late-medieval philosophy out of the closet and into a relation with literature, and it validates the use of contemporary methods and sensibility in literary criticism. In Sheila Delany's view, House of Fame portrays the ambiguity of old or new communication, with skeptical fideism as the means of transcending ambiguity.

The author's aim is to "restore to the reading of the poem a background of medieval meanings familiar enough to Chaucer’s contemporary reader but almost lost to the modem." Mr. Koonce believes that fame was a clearly defined Christian concept in the Middle Ages, and his interpretation of Chaucer’s allegory proceeds from that central focus. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This book is a lucid introduction and intelligent examination of Chaucer's narrative poetry.

It is 1370, right in the middle of the Anglo-French conflict, the Hundred Years War. In danger of losing the Aquitaine territory, England sends Geoffrey Chaucer, protege of the king's son, to France. As a poet on a diplomatic mission, Chaucer must persuade one of the most important noblemen of the region to remain loyal to England's king. But Henri, Comte de Guyac, whose wife Chaucer had previously fallen in love with when he was held prisoner by Henri, is not exactly neutral in his feelings for Chaucer. Wondering how he will feel when he sees Rosamund, the Comte's wife, Chaucer reaches de Guyac's castle and is greeted by turmoil. His mission is further complicated when Henri is killed during a boar hunt. Chaucer soon realizes the Comte's death is no hunting accident and that he must solve the murder before returning home. Enemies and suspects abound, from a troupe of travelling players to factions within the castle itself. Chaucer finds himself in the midst of a brightly colorful puzzle that turns him into a fugitive in a foreign country, unsure who his friends and enemies really are."