Anne Middleton's essays have been among the most vigorous, learned, and influential in the field of medieval English literature. Their 'crux-busting' energies have illuminated local obscurities with generous learning lightly wielded. Their historically- and theoretically-informed meditations on the nature of poetic discourse traced how the generation of Chaucer and Langland devised a category of the literary that could embody a ethos of engaged, worldly consensus and make that consensus available to imaginative and rational consideration. And their reflections on the enterprise of literary study found a rational way, free of cant, to understand the work of the literary scholar. This volume reprints eight essays: ’The Idea of Public Poetry in the Reign of Richard II,’ ’Chaucer's 'New Men' and the Good of Literature in the Canterbury Tales,’ ’The Physician's Tale and Love's Martyrs: 'Ensamples Mo than Ten' as a Method in the Canterbury Tales,’ ’The Clerk and His Tale: Some Literary Contexts,’ ’Narration and the Invention of Experience: Episodic Form in Piers Plowman,’ ’Making a Good End: John But as a Reader of Piers Plowman,’ ’William Langland's 'Kynde Name': Authorial Signature and Social Identity in Late Fourteenth-Century England,’ ’Life in the Margins, or, What's an Annotator to Do?’ It includes one essay previously unpublished, ’Playing the Plowman: Legends of Fourteenth-Century Authorship.’

Anne Middleton's essays have been among the most vigorous, learned, and influential in the field of medieval English literature. Their 'crux-busting' energies have illuminated local obscurities with generous learning lightly wielded. Their historically- and theoretically-informed meditations on the nature of poetic discourse traced how the generation of Chaucer and Langland devised a category of the literary that could embody a ethos of engaged, worldly consensus and make that consensus available to imaginative and rational consideration. And their reflections on the enterprise of literary study found a rational way, free of cant, to understand the work of the literary scholar. This volume reprints eight essays: 'The Idea of Public Poetry in the Reign of Richard II, ' 'Chaucer's 'New Men' and the Good of Literature in the Canterbury Tales, ' 'The Physician's Tale and Love's Martyrs: 'Ensamples Mo than Ten' as a Method in the Canterbury Tales, ' 'The Clerk and His Tale: Some Literary Contexts, ' 'Narration and the Invention of Experience: Episodic Form in Piers Plowman, ' 'Making a Good End: John But as a Reader of Piers Plowman, ' 'William Langland's 'Kynde Name': Authorial Signature and Social Identity in Late Fourteenth-Century England, ' 'Life in the Margins, or, What's an Annotator to Do?' It includes one essay previously unpublished, 'Playing the Plowman: Legends of Fourteenth-Century Authorship.'

Examines the political, social, and religious factors that contributed to the formation of a literary canon in fourteenth-century England. This book tracks the reputations of Geoffrey Chaucer and William Langland into the fifteenth century, when studies of 14th-century literature became configured in terms of a double, antagonistic dynamic.

Represents the first time that disciples of history and English literature have joined forces to present new interpretations of late fourteenth-century English society.

Next to Chaucer's Canterbury Tales, William Langland's Piers Plowman is perhaps the best-known literary picture of fourteenth-century England. Langland's work, more socially concerned and critical than Chaucer's, reflected an age of religious controversy, social upheaval, and political unrest. The World of Piers Plowman puts the reader in touch with the sources that helped shape Langland's somber vision. The representative documents included in this book, often cited in connection with the poem yet difficult to come by, disclose the background of Piers Plowman in social and economic history as well as folklore, art, theology, homilies, religious tractates, and chronicles. The seven sections into which the readings are divided illustrate ideas concerning (1) the heavens, the universal Church, England, and London; (2) material and spiritual abuses; (3) the most influential literary genres of the period; (4) exempla, moral tales from hagiography, sermon literature, and tracts on moral theology; (5) types of practical instruction available to the devout layperson; (6) the multiple meanings in many literary works; and (7) the moment of death, the judgments on the soul, and the torments and rewards of the afterlife.