"There have been a lot of crazy books about Melville and Moby-Dickiut this isn't one of them. Dowling's overarching analogy, between Ishmael's and Melville's obsessions and the annual marathon group-reading of Moby-Dick in New Bedford, makes perfect sense and generates illuminating analyses of the novel and its cultural contexts. It also lets him open his book up into a passionate exploration of how great literature can still play a vital role in people's lives today"-Damion Searls, editor, Thoreau's The Journal: 1837-1861 and Melville's; or The Whale --Book Jacket.

AHOY! Come with us aboard the Pequod. We search for Moby Dick, the Great White Whale! Along with Captain Ahab, you'll meet danger face to face, hunting the fiercest creature the seas have ever known! Are you brave enough— and bold enough— for the adventure of your life? The award-winning author and illustrator team of Eric A. Kimmel and Andrew Glass introduce a new generation of readers to a magnificent and memorable retelling of Herman Melville's masterpiece, Moby Dick.

"Inconceivable!"; "Long hair don't care"; "You shall not pass!"; "I'll be back." The way we read these lines - whether or not you picture Gandalf standing at the edge of a cliff and hear the deep monotone of the Terminator - makes it clear that media consumption affects our everyday lives,language, and how we identify as part of a group.Millennials Talking Media examines how U.S. millennial friends embed both old media (books, songs, movies, and TV shows) and new media (YouTube videos, videogames, and internet memes) in their everyday talk for particular interactional purposes. Sylvia Sierra presents multiple case studies featuringthe recorded talk of millennial friends to demonstrate how and why these speakers make media references and use them to handle awkward moments and other interactional dilemmas. Sierra's analysis shows how such references contribute to epistemic management and frame shifts in conversation, whichultimately work together to construct a shared sense of millennial identity. Additionally, this book explores the stereotypes embedded in the media that these friends cite and examines their effects in everyday social life.This book shows how the boundaries between screens, online and offline life, language, and identity are porous for millennials. Building on everyday conversation among family and friends and contemporary work in media studies, Sierra weaves together the most current linguistic theories regardingknowledge, framing, and identity to create a book that will be of interest to scholars and students of sociolinguistics, communication, rhetoric, conversation analysis, and media studies - and to boomers, millennials, and Gen Z alike.

The Narrative of the Most Extraordinary and Distressing Shipwreck of the Whale-Ship Essex was the inspiration for Melville's Moby Dick.

In Herman Melville's classic tale of revenge, Ishmael tells his story of becoming a whaler on the Pequod. When Ishmael and his unexpected friend Queequeg join Captain Ahab's hunt for Moby Dick, the voyage of a lifetime turns into tragedy. The adventures of sailing the seas on the hunt for the great white whale is retold in the Calico Illustrated Classics adaptation of Melville's Moby Dick. Calico Chapter Books is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.

The Number One best-selling, epic true-life story of one of the most notorious maritime disasters of the 19th century, beautifully reissued.

Jeremiah N. Reynolds (1799-1858), an American newspaper editor, lecturer, explorer and author who became an influential advocate for scientific expeditions. Reynolds gathered first-hand observations of Mocha Dick, an albino sperm whale off Chile who bedeviled a generation of whalers for thirty years before succumbing to one. Mocha Dick survived many skirmishes (by some accounts at least 100) with whalers before he was eventually killed. In May 1839, The Knickerbocker, or New-York Monthly Magazine published Reynolds' "Mocha Dick: Or the White Whale of the Pacific," the inspiration for Herman Melville's 1851 novel Moby-Dick. In Reynolds' account, Mocha Dick was killed in 1838, after he appeared to come to the aid of a distraught cow whose calf had just been slain by the whalers. His body was 70 feet long and yielded 100 barrels of oil, along with some ambergris. He also had several harpoons in his body.