"For the teachers and students of Seattle's Garfield High School, the trip was just a public-relations lark, for helping a wealthy Pacific island open a science museum, they were to get a free trip around the world. It all seemed too esay. It was. As their chartered 747 crossed the Pacific, a huge spacecraft swooped down, cut off its wings, swallowed it up, and headed deep into outer space. Next stop: Charon, the moon of Pluto. Suddenly the flight crew, the students, and their teacher found themselves the unwilling guests of unseen and unreliable hosts whose life-support systems were breaking down. Even worse, the humans were caught in a deadly cross-fire between the rapidly failing aliens and a mad computer program that considered only itself indispensable, and whose intentions clearly were to destroy Earth ..."--Page 4 of cover

The author of The Mona Lisa Sacrifice and The Dead Hamlets delivers “a vastly entertaining, fantastical, breakneck hodgepodge quest novel” (Publishers Weekly). In the third Cross book, the immortal angel killer Cross faces his most dangerous enemy yet: Noah. For ages Noah has sailed the seas, seeking out all of God’s mistakes and imprisoning them on his ark. Noah is not humanity’s savior but is instead God’s jailer. But he has grown increasingly mad over the centuries, and now he is determined to end the world by raising the mysterious Sunken City. Only one person can stop him: Cross. As Cross races to stop Noah from finding the Sunken City, he’s joined by a few old friends, such as Alice from the Alice’s Adventures in Wonderland tales, and several new characters make memorable appearances as well: Captain Nemo and his crew of Atlanteans aboard the submarine the Nautilus; the sorcerous pirate Blackbeard, who has sworn revenge upon Cross; the devilish angel Sariel, whose sacred duty is to protect God’s Bible; and the eerie and mysterious Ishmael, who may be the key to the world’s salvation—or its damnation. Cross must find a way to bring them all together to stop Noah or the world will drown in madness. “Despite their crazed, iconoclastic appearance, Roman’s novels are skillfully wrought, thematically deep, with a philosophical depth and a keen sense for both story and its implications . . . once you spend a bit of time in Cross’s head, you won’t be able to get him out of yours.” —Vancouver Sun

The eight unpublished poems of E. E. Cummings included here were found by his daughter as she was completing the manuscript of this book.

Steven de Selby has a hangover. Bright lights, loud noise, and lots of exercise are the last thing he wants. But that's exactly what he gets when someone starts shooting at him. Steven is no stranger to death -- Mr. D's his boss after all -- but when a dead girl saves him from sharing her fate, he finds himself on the wrong end of the barrel. His job is to guide the restless dead to the underworld but now his clients are his own colleagues, friends, and family. Mr. D's gone missing and with no one in charge, the dead start to rise, the living are hunted, and the whole city teeters on the brink of a regional apocalypse -- unless Steven can shake his hangover, not fall for the dead girl, and find out what happened to his boss -- that is, Death himself. The Business of Death includes the first two volumes of the Death Works trilogy, Death Most Definite and Managing Death, as well as the third volume.

From the early Renaissance through Baroque and Romanticism to Cubism, Surrealism, and Pop, these canonical works of Western Art span eight centuries and a vast range of subjects. Here are the sacred and the scandalous, the minimalist and the opulent, the groundbreaking and the conventional. There are paintings that captured the feeling of an era and those that signaled the beginning of a new one. Works of art that were immediately recognised for their genius, and others that were at first met with resistance. All have stood the test of time and in their own ways contribute to the dialectic on what makes a painting great, how notions of art have changed, to what degree art reflects reality, and to what degree it alters it. Brought together, these great works illuminate the changing preoccupations and insights of our ancestors, and give us pause to consider which paintings from our own era will ultimately join the canon.

Tenaciously pursued by NAZI hunters, Adolf Hitler Jr enlists in the U.S. Marines seeking anonymity. His enemies locate him and influence U.S Government agencies to assign him to Iraq where they believe he can be more easily killed... Suspense, fear and murders occur... Some other mentioned events and influences on the novel are: Adolf Hitler´s private journal; Holocaust propaganda; The ark of the Covenant; Sexuality; Secret laboratories at Dimona, Israel and at Peenemunde, Germany; The Swastika symbol; UFOs; Aliens, Angels and Gods; Neo-NAZI atomic research; WW II: The Christian vs. Jew vs. Communist war; The Iraq religious war.