"Charlotte's Inheritance" by M. E. Braddon. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

In the days when the Bourbon reigned over Gaul, before the "simple, sensuous, passionate" verse of Alfred de Musset had succeeded the débonnaire Muse of Béranger in the affections of young France,--in days when the site of the Trocadero was a remote and undiscovered country, and the word "exposition" unknown in the Academic dictionary, and the Gallic Augustus destined to rebuild the city yet an exile,--a young law-student boarded, in common with other students, in a big dreary-looking house at the corner of the Rue Grande-Mademoiselle, abutting on the Place Lauzun, and within some ten minutes walk of the Luxembourg. It was a very dingy quarter, though noble gentlemen and lovely ladies had once occupied the great ghastly mansions, and disported themselves in the gruesome gardens. But the young students were in nowise oppressed by the ghastliness of their abode. They sang their Béranger, and they pledged each other in cheap Bordeaux, and clinked their glasses noisily in their boisterous good-fellowship, and ate the messes compounded for them in a darksome cupboard, known as the kitchen, by old Nanon the cook, purblind, stone-deaf, and all but imbecile, and popularly supposed to be the venerable mother of Madame Magnotte. The youngsters grumbled to each other about the messes when they were unusually mysterious; and it must be owned that there were vol-au-vents and fricandeaux consumed in that establishment which were awful and wonderful in their nature; but they ventured on no complaint to the mistress of the mansion. She was a grim and terrible personage. Her terms were low, and she treated her boarders de haute en bas. If they were not content with her viands, they might go and find more agreeable viands elsewhere. Madame Magnotte was altogether mysterious and inscrutable. Some people said that she was a countess, and that the wealth and lands of her family had been confiscated by the committee of public unsafety in '93. Others declared that she had been a popular actress in a small theatre in the days of Napoleon. She was tall and thin--nay, of an exceptional leanness--and her complexion was of a more agreeable yellow than the butter that appeared on her hospitable board; but she had flashing black eyes, and a certain stateliness of gait and grandeur of manner that impressed those young Bohemians, her boarders, with a kind of awe. They talked of her as the "countess," and by that name she was known to all inmates of the mansion; but in all their dealings with her they treated her with unfailing respect. One of the quietest among the young men who enjoyed the privileges of Madame Magnotte's abode was a certain Gustave Lenoble, a law-student, the only son of a very excellent couple who lived on their own estate, near an obscure village in Normandy. The estate was of the smallest; a dilapidated old house, known in the immediate neighbourhood as "the Château," and very dear to those who resided therein; a garden, in which everything seemed to have run to seed; and about forty acres of the poorest land in Normandy. These possessions constituted the patrimonial estate of François Lenoble, propriétaire, of Beaubocage, near Vevinordin, the department of Eure.

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An important figure in the development of crime fiction, Mary Elizabeth Braddon (1835-1915) wrote more than 80 novels, numerous plays, poems, essays and short stories, and edited two magazines during her 55-year literary career. Her bestselling Lady Audley's Secret secured her reputation as a leading "sensation novelist." Though critics called her work immoral, Braddon's novels influenced the detective fiction of the late Victorian period. With entries on all her published writing, characters, relationships and influences, and themes and contexts, as well as numerous illustrations, a career chronology, and a chronological and alphabetical listing of all of her works, this companion to Braddon's mystery fiction is the definitive reference on this provocative but overlooked writer.