In the noted journalist’s acclaimed thriller, a foreign correspondent is determined to avenge a friend’s the brutal murder in the Balkans. A New York Times Notable Book Charlie Johnson is an American journalist working somewhere in the Balkans. As a seasoned correspondent, he’s seen everything. But suddenly he finds himself caught up in the events he’s meant to be witnessing—when the woman sheltering Charlie and his crew is set on fire by a retreating Serbian colonel. As the woman stumbles, burning, down the road, Charlie dashes out of hiding to extinguish the flames. But he’s too late. And when she dies, something snaps inside Charlie. He now realizes he has just one ambition left in life: to find the colonel and kill him. In Charlie Johnson in the Flames, Michael Ignatieff tells a story of striking contemporary relevance that has drawn comparisons to the novels of Graham Greene and Robert Stone’s Dog Soldiers.

In A Culture of Rights, Benjamin Authers reads novels by authors including Joy Kogawa, Margaret Atwood, Timothy Findley, and Jeanette Armstrong alongside Canadian legal texts and constitutional rights cases.

War correspondents are prominent actors in the media world. They took hold in the cultural imaginary soon after their profession had been created in the mid-19th century. With a particular focus on Britain, this study investigates the representation of war correspondents from Victorian times to the present, in memoirs, novels and films. Such representations react to prevailing notions that exist about war reporters and participate in their further construction. With its cultural approach, this book complements studies of war correspondents in media and communication studies, history and ethnology.

One of the most influential intellectuals in the English-speaking world, Michael Ignatieff's story is generally understood to be that of an ambitious, accomplished progressive politician and writer, whose work and thought fit within an enlightened political tradition valuing human rights and diversity. Here, journalist Derrick O'Keefe argues otherwise. In this scrupulous assessment of Ignatieff's life and politics, he reveals that Ignatieff's human rights discourse has served to mask his identification with political and economic elites. Tracing the course of his career over the last thirty years, from his involvement with the battles between Thatcher and the coal miners in the 1980s to the Balkan Wars of the 1990s, Iraq, Afghanistan, and Israel's 2009 invasion of Gaza, O'Keefe proposes that Ignatieff and his political tradition have in fact stood in opposition to the extension of democracy and the pursuit of economic equality. Michael Ignatieff: The Lesser Evil? is a timely assessment of the Ignatieff phenomenon, and of what it tells us about the politics of the English-speaking West today. About the series: Counterblasts is a new Verso series that aims to revive the tradition of polemical writing inaugurated by Puritan and leveller pamphleteers in the seventeenth century, when in the words of one of them, Gerard Winstanley, the old world was "running up like parchment in the fire." From 1640 to 1663, a leading bookseller and publisher, George Thomason, recorded that his collection alone contained over twenty thousand pamphlets. Such polemics reappeared both before and during the French, Russian, Chinese and Cuban revolutions of the last century. In a period of conformity where politicians, media barons and their ideological hirelings rarely challenge the basis of existing society, it's time to revive the tradition. Verso's Counterblasts will challenge the apologists of Empire and Capital.

Michael Ignatieff draws on his extensive experience as a writer and commentator on world affairs to present a penetrating account of the successes, failures, and prospects of the human rights revolution. Since the United Nations adopted the Universal Declaration of Human Rights in 1948, this revolution has brought the world moral progress and broken the nation-state's monopoly on the conduct of international affairs. But it has also faced challenges. Ignatieff argues that human rights activists have rightly drawn criticism from Asia, the Islamic world, and within the West itself for being overambitious and unwilling to accept limits. It is now time, he writes, for activists to embrace a more modest agenda and to reestablish the balance between the rights of states and the rights of citizens. Ignatieff begins by examining the politics of human rights, assessing when it is appropriate to use the fact of human rights abuse to justify intervention in other countries. He then explores the ideas that underpin human rights, warning that human rights must not become an idolatry. In the spirit of Isaiah Berlin, he argues that human rights can command universal assent only if they are designed to protect and enhance the capacity of individuals to lead the lives they wish. By embracing this approach and recognizing that state sovereignty is the best guarantee against chaos, Ignatieff concludes, Western nations will have a better chance of extending the real progress of the past fifty years. Throughout, Ignatieff balances idealism with a sure sense of practical reality earned from his years of travel in zones of war and political turmoil around the globe. Based on the Tanner Lectures that Ignatieff delivered at Princeton University's Center for Human Values in 2000, the book includes two chapters by Ignatieff, an introduction by Amy Gutmann, comments by four leading scholars--K. Anthony Appiah, David A. Hollinger, Thomas W. Laqueur, and Diane F. Orentlicher--and a response by Ignatieff.

Whether it's the rule-defying lifer, the sharp-witted female newshound, or the irascible editor in chief, journalists in popular culture have shaped our views of the press and its role in a free society since mass culture arose over a century ago. Drawing on portrayals of journalists in television, film, radio, novels, comics, plays, and other media, Matthew C. Ehrlich and Joe Saltzman survey how popular media has depicted the profession across time. Their creative use of media artifacts provides thought-provoking forays into such fundamental issues as how pop culture mythologizes and demythologizes key events in journalism history and how it confronts issues of race, gender, and sexual orientation on the job. From Network to The Wire, from Lois Lane to Mikael Blomkvist, Heroes and Scoundrels reveals how portrayals of journalism's relationship to history, professionalism, power, image, and war influence our thinking and the very practice of democracy.

Peter C. Newman, Canada's most "cussed and discussed" political journalist, on the death spiral of the Liberal Party. The May 2, 2011 federal election turned Canadian governance upside down and inside out. In his newest and possibly most controversial book, bestselling author Peter C. Newman argues that the Harper majority will alter Canada so much that we may have to change the country's name. But the most lasting impact of the Tory win will be the demise of the Liberal Party, which ruled Canada for seven of the last ten decades and literally made the country what it is. Newman chronicles, in bloody detail, the de-construction of the Grits' once unassailable fortress and anatomizes the ways in which the arrogance embedded in the Liberal genetic code slowly poisoned the party's progressive impulses. When the Gods Changed is the saga of a political self-immolation unequalled in Canadian history. It took Michael Ignatieff to light the match.