He has been called "arguably the single most important artist produced by the cinema, certainly its most extraordinary performer and probably still its most universal icon" For moviegoers, he was simply, Charlie Chaplin, who won their hearts and made them split their sides in laughter when he portrayed the Little Tramp, his most memorable iconic onscreen character in silent films. Chaplin wasn't only the Little Tramp. He was a comic genius whom produced, directed and wrote most of his, even later composing the music for him. He was the total filmmaker. The “Charlie Chaplin Movie Poster Book” captures the imagination and genius of one of the most important figures of the film industry, presenting, for the first time, more than 50 vintage movie posters in print, all in full color. It represents a period of filmmaking which will never be duplicated. The book is divided into eight sections. The first five are by the studios or distribution companies, in chronilogical order: Keystone, Essanay, Mutual, First National, United Artists. Then there are British Productions, Foreign Releases and Compilation Films. The “Charlie Chaplin Movie Poster Book” is a fitting tribute to a true film pioneer, a legend, whose timeless films will never fade, but continue to entertain and inspire audiences for generations to come.

Film buffs, graphic designers, and art students will relish this beautifully produced and strikingly illustrated volume. Arranged in roughly chronological order, it brings together movie posters from around the world, starting with Charlie Chaplin film ads and the Russian Revolutionary movie posters of the 1910s, then spanning the century to show posters publicizing hits of the 1990s, including The Silence of the Lambs, Spike Lee films, and many more. The bookï¿1/2s sections focus on renowned individual designers, directors, movies, and genres. Important poster designers such as Saul Bass, Jan Lenica, and Juan Gatti receive particular attention, as do great directors who had strong opinions about how their films should be represented. Among the latter are Alfred Hitchcock, Jean-Luc Godard, and Otto Preminger. All major film genres are representedï¿1/2musicals, Kung Fu movies, films noir, westerns (including so-called ï¿1/2spaghetti westernsï¿1/2 filmed in Italy), science fiction classics, and others. Readers are treated to examples of movie posters not only from the United States, Britain, and France, but also to previously unpublished examples from countries as diverse as Poland, China, and Cuba. For instance, fans of Orson Welles might be surprised to see the previously unpublished Italian poster advertising Citizen Kane under its Italian title, Quarto Potere (The Fourth Estate). This handsome volume will be valued by graphic designers, poster collectors, and anyone sharing the popular passion for cinema.

Présentation d'affiches en français de films de Charlie Chaplin.

"Great Silent Comedians Poster Art Book" is back with a revised, second edition and a new title! Retitled “Great Silent Comedians Movie Poster Book” by Jake Lenburg, the book spans nearly a quarter of a century, containing nearly 75 movie posters and lobby cards from the classic films of Hollywood's legendary silent film clowns: Charlie Chaplin, Buster Keaton, Harold Lloyd, Harry Langdon, Roscoe "Fatty" Arbuckle, Laurel and Hardy, and Charley Chase. Compared to the original book, the revised edition has a new design and layout. Thanks to the new size, each poster is full page in size. Best of all, nearly 20 posters have never been published before and were not included in the original book. Looks like collecting movie posters of the great silent comedians just got even better!

As long as there have been movies, there have been posters selling films to audiences. Posters came into existence just decades before the inception of film, and as movies became a universal medium of entertainment, posters likewise became a ubiquitous form of advertising. At first, movie posters suggested a film's theme, from adventure and romance to thrills and spine-tingling horror. Then, with the ascendancy of the film star, posters began to sell icons and lifestyles, nowhere more so than in Hollywood. But every country producing films used posters to sell their product. Selling the Movie: The Art of the Film Poster charts the history of the movie poster from both a creative and a commercial perspective. It includes sections focusing on poster artists, the development of styles, the influence of politics and ideology, and how commerce played a role in the film poster's development. The book is richly illustrated with poster art from many countries and all eras of filmmaking. From creating the brand of Charlie Chaplin's tramp and marketing the elusive mystique of Greta Garbo, to the history of the blockbuster, the changing nature of graphic design by the decade, and the role of the poster in the digital age, Selling the Movie is an entertaining and enthralling journey through cinema, art, and the business of attracting audiences to the box office.

Expert novelizations of ten early Chaplin films include The Bank, A Woman, Work, The Champion, His New Job, By the Sea, A Night Out, The Tramp, In the Park, and A Jitney Elopement.

This volume is structured chronologically with chapters covering four key eras in the history of movies and illustrates the important movie posters of each time focusing on influential designers, directors, movies and genres.