Regroupement des titres suivants : "The pawnshop"(1916), "The adventurer"(1917), "One A.M."(1916), "The cure"(1917), "The floorwalker"(1916), "The vagabond"(1916), "The pawnshop"(1916), "The adventurer"(1917), "One A.M."(1916).

Before making a name for himself as an undisputed master of cinema, Charlie Chaplin first developed his acting, writing, and directing skills at Keystone Studios. This book examines each of these films, assessing the important early work of a comedian who became a timeless icon.

From his early shorts in the 1910s through his final film in 1967, Charlie Chaplin's genius embraced many arts: mime, dance, acting, music, writing, and directing. The Comedy of Charlie Chaplin: Artistry in Motion examines Chaplin's fusion of these arts in his films, providing new understanding of how movement communicates, how comedy routines are structured, and how stage skills can be translated to the screen. An acclaimed comic performing artist himself, Dan Kamin brings a unique insider's perspective to the subject. He explores how Chaplin's physical virtuosity led him to create the timeless visual comedy that brought silent films to their peak. Kamin uncovers the underlying principles behind the filmmaker's gags, illuminating how Chaplin conjured comedy from the fundamental physical laws of movement. He then presents provocative new interpretations of the comedian's sound films, showing how Chaplin remained faithful to his silent comedy roots even as he kept reinventing his art for changing times. Kamin also offers new insights into how Chaplin achieved rapport with audiences and demonstrates how comedy created nearly a century ago is still fresh today. Lavishly illustrated with many never-before-published images, The Comedy of Charlie Chaplin provides the only in-depth analysis of Chaplin as a movement artist and physical comedian. Revealing the inner working of Chaplin's mesmerizing art, this book will appeal not just to Chaplin fans but to anyone who loves comedy. This paperback edition features an annotated bibliography and a foreword by Scott Eyman, author of Empire of Dreams: The Epic Life of Cecil B. DeMille and Print the Legend: The Life and Times of John Ford.

Charlie Chaplin is universally hailed as the greatest comedic talent in the history of motion pictures. And yet Chaplin's early efforts-which account for more than half of his total output-are often overlooked in favor of his later films. In 1914 Chaplin appeared in a total of 35 films for the Keystone Film Company; the following year he signed with the Essanay Film Manufacturing Company, where he wrote, directed and starred in more than a dozen short comedies. Though the resulting pictures were frequently crude and erratic, they reveal the emergence of a formidable comic genius. Charlie Chaplin at Keystone and Essanay: Dawn of the Tramp is a film-by-film examination of this period in Chaplin's career, tracing the birth of his beloved 'Tramp" character and his evolution as an actor and filmmaker. Also discussed are how these movies have been re-edited, recopied, reissued and retitled over the years, with a special section that matches pseudonym titles to their original source film. Charlie Chaplin at Keystone and Essanay: Dawn of the Tramp is a fascinating look at the first celluloid steps taken by this legendary laughmaker, and is a must for all Chaplin fans, old and new.

Film star Charlie Chaplin spent February 1931 through June 1932 touring Europe, during which time he wrote a travel memoir entitled “A Comedian Sees the World.” This memoir was published as a set of five articles in Women’s Home Companion from September 1933 to January 1934 but until now had never been published as a book in the U.S. In presenting the first edition of Chaplin’s full memoir, Lisa Stein Haven provides her own introduction and notes to supplement Chaplin’s writing and enhance the narrative. Haven’s research revealed that “A Comedian Sees the World” may very well have been Chaplin’s first published composition, and that it was definitely the beginning of his writing career. It also marked a transition into becoming more vocally political for Chaplin, as his subsequent writings and films started to take on more noticeably political stances following his European tour. During his tour, Chaplin spent time with numerous politicians, celebrities, and world leaders, ranging from Winston Churchill and Mahatma Gandhi to Albert Einstein and many others, all of whom inspired his next feature films, Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and A King in New York (1957). His excellent depiction of his experiences, coupled with Haven’s added insights, makes for a brilliant account of Chaplin’s travels and shows another side to the man whom most know only from his roles on the silver screen. Historians, travelers, and those with any bit of curiosity about one of America’s most beloved celebrities will all want to have A Comedian Sees the World in their collections. Available only in the USA and Canada.