Charley is an approximately annual publication edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, and designed by The Purtill Family Business. It is as visual as a magazine and as substantial as a book, but refuses to abide by either genre's rules. Following earlier editions on the 2001-2002 New York art season, on neglected artists from the 80s and early 90s, and on museum acquisitions, this new volume rounds up the stray dogs of contemporary art--Charley 5 features artists who have remained forgotten, proudly secluded or just unnoticed, in spite of their visionary work. Its galleries of obsessions mix professionals and amateurs, cult figures and unknowns, unheard prophets, voluntary outcasts and great solitary masters and freaks, celebrating the extreme subjectivity of more than 50 voices and implicitly questioning accepted hierarchies in the process. The editors have said of their recent work, "it's a way to say, look around...The latest issues of Charley are a lot about 'What ifs': what if there were many more artists than we actually speak about? What if our artist list was just partial and irrelevant?" Charley is sponsored by the Deste Foundation, Athens, Greece, which supports artist's projects, exhibitions, and symposia that explore the relationship between contemporary art and culture.

Charley is an approximately annual publication edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, and designed by The Purtill Family Business. It is as visual as a magazine and as substantial as a book, but refuses to abide by either genre's rules. Following earlier editions on the 2001-2002 New York art season, on neglected artists from the 80s and early 90s, and on museum acquisitions, this new volume rounds up the stray dogs of contemporary art--Charley 5 features artists who have remained forgotten, proudly secluded or just unnoticed, in spite of their visionary work. Its galleries of obsessions mix professionals and amateurs, cult figures and unknowns, unheard prophets, voluntary outcasts and great solitary masters and freaks, celebrating the extreme subjectivity of more than 50 voices and implicitly questioning accepted hierarchies in the process. The editors have said of their recent work, "it's a way to say, look around...The latest issues of Charley are a lot about 'What ifs': what if there were many more artists than we actually speak about? What if our artist list was just partial and irrelevant?" Charley is sponsored by the Deste Foundation, Athens, Greece, which supports artist's projects, exhibitions, and symposia that explore the relationship between contemporary art and culture.

Charley feels unwanted by Aunt Emm who has come to stay during her parents' absence, so she runs away and lives outdoors.

Winner of the 2019 Foreword INDIES Award Bronze Medal, When Charley Met Emma teaches kids about disability, empathy, and the beauty of friendships with people who are different from you. When Charley goes to the playground and sees Emma, a girl with limb differences who gets around in a wheelchair, he doesn't know how to react at first. But after he and Emma start talking, he learns that different isn't bad, sad, or strange--different is just different, and different is great! This delightful book will help kids think about disability, kindness, and how to behave when they meet someone who is different from them.

The Whip is inspired by the true story of a woman, Charlotte "Charley" Parkhurst (1812-1879) who lived most of her extraordinary life as a man. As a young woman in Rhode Island, she fell in love and had a child. Her husband was lynched and her baby killed. The destruction of her family drove her west to California, dressed as a man, to track down the murder. Charley became a renowned stagecoach driver. She killed a famous outlaw, had a secret love affair, and lived with a housekeeper who, unaware of her true sex, fell in love with her. Charley was the first woman to vote in America (as a man). Her grave lies in Watsonville, California.

From the legendary vice-chairman of Berkshire Hathaway, lessons in investment strategy, philanthropy, and living a rational and ethical life. “Spend each day trying to be a little wiser than you were when you woke up,” Charles T. Munger advises in Poor Charlie’s Almanack. Originally published in 2005, this compendium of eleven talks delivered by the legendary Berkshire Hathaway vice-chairman between 1986 and 2007 has become a touchstone for a generation of investors and entrepreneurs seeking to absorb the enduring wit and wisdom of one of the great minds of the 20th and 21st centuries. Edited by Peter D. Kaufman, chairman and CEO of Glenair and longtime friend of Charlie Munger—whom he calls “this generation’s answer to Benjamin Franklin”—this abridged Stripe Press edition of Poor Charlie’s Almanack features a brand-new foreword by Stripe cofounder John Collison. Poor Charlie’s Almanack draws on Munger’s encyclopedic knowledge of business, finance, history, philosophy, physics, and ethics—and more besides—to introduce the latticework of mental models that underpin his rational and rigorous approach to life, learning, and decision-making. Delivered with Munger’s characteristic sharp wit and rhetorical flair, it is an essential volume for any reader seeking to go to bed a little wiser than when they woke up.