Studies of evidence of Charles d'Orleans as scholar, politician and poet during his 25 years of captivity in England

Charles II was a renowned ladies' man but, arguably his greatest love--though not in the Biblical sense--was his sister Minette. Separated from her in their youth by a royal inter-marriage, his letters reveal a tender and humane side not often seen in biographies of this cunning and calculating monarch.

This collection engages with questions of influence, a vexed and problematic concept whose intellectual history is both ancient and vast. It examines a range of texts written in French, sometimes in dialogue with visual/musical works, drawn mainly from the eighteenth century onwards. Connections are made with related work in a range of disciplines.

Includes list of Matisse exhibitions at MoMA, publications on Matisse issued by MoMA, donors of works by Matisse in the MoMA collection; and detailed catalog notes.

Covers D'Arensbourg's early years in Europe to his death in Louisiana.

A biography of the black surgeon who conducted research on the properties and preservation of blood plasma and was a leader in establishing blood banks.

Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period. Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.