A compelling look at the public and private life of a nineteenth-century radical.

Elections in Oxford County, 1837-75 is a unique exploration of the forms, practices, and issues of democracy in a mid-nineteenth-century colonial setting. In this case study of thirty-eight elections in Oxford County — first as part of the United Province of Canada, then in early Ontario — George Emery delves into the advances, setbacks, and flaws of a partially democratic system. Emery demonstrates that while its forms and issues evolved, the net amount of democracy remained stable over time. Elections in Oxford County, 1837-75 breaks new ground with its detailed treatment of the county's voice-vote method of election, which ended with the adoption of the secret ballot in 1874. Employing an idealized parliamentary democracy as an explanatory model, Emery captures both geographically specific details and general features of this era's electoral process to enrich current understandings of nineteenth-century Canadian democracy.

Most Canadians assume they live under some form of democracy. Yet confusion about the meaning of the word and the limits of the people’s power obscures a deeper understanding. Constant Struggle looks for the democratic impulse in Canada’s past to deconstruct how the country became a democracy, if in fact it ever did. This volume asks what limits and contradictions have framed the nation’s democratization process, examining how democracy has been understood by those who have advocated for or resisted it and exploring key historical realities that have shaped it. Scholars from a range of disciplines tackle this elusive concept, suggesting that instead of looking for a simple narrative, we must be alert to the slower, untidier, and incomplete processes of democratization in Canada. Constant Struggle offers a renewed, sometimes unsettling depiction, stretching from studies of early Indigenous societies, through colonial North America and Confederation, into the twentieth century. Contributors reassess democracy in light of settler colonialism and white supremacy, investigate connections between capitalism and democracy, consider alternative conceptions of democracy from Canada’s past, and highlight the various ways in which the democratic ideal has been mobilized to advance particular visions of Canadian society. Demonstrating that Canada’s democratization process has not always been one that empowered the people, Constant Struggle questions traditional views of the relationship between democracy and liberalism in Canada and around the world.

In a compelling and comprehensive treatment of the nineteenth-century voluntary association movement, Darren Ferry situates these organizations within the much larger framework of the construction of collective liberal identities. He shows that by attempting to transcend the political, religious, class, and ethnic divisions of their constituencies, voluntary societies acted as cultural mediators in the reproduction, transmission, and contestation of liberal values throughout central Canadian society.

Frank Underhill (1889-1971) practically invented the role of public intellectual in English Canada through his journalism, essays, teaching, and political activity. He became one of the country's most controversial figures in the middle of the twentieth century by confronting the central political issues of his time and by actively working to reform the Canadian political landscape. His propagation of socialist ideas during the Great Depression and his criticism of the British Empire and British foreign policy almost cost him his job at the University of Toronto. In Frank Underhill and the Politics of Ideas, Kenneth Dewar demonstrates how Underhill's thought evolved from his days as a student at Toronto and Oxford, to his drafting of the Regina Manifesto - the founding platform of the leftist Co-operative Commonwealth Federation - to his support of his long-time friend Lester Pearson’s Liberals in the 1960s. Not willing to be bound by partisan loyalties, his later shift toward the political centre dismayed many of his former allies. The various issues Underhill confronted, Dewar argues, were connected by the pioneering role he played as an intellectual and by his social democratic vision of politics. Dewar also reassesses Underhill’s historical work, focusing on how it differed from the new professional history practised by his younger colleagues. Intelligently written and thoroughly researched, Frank Underhill and the Politics of Ideas delivers important insights into twentieth-century political life and innumerable lessons for twenty-first century Canada.

Using the journals of W. Norman Rudolf (1835-1886), a Victorian merchant, Evangelical Balance Sheet: Character, Family, and Business in Mid-Victorian Nova Scotia explores the important role of character ideals and evangelicalism in mid-Victorian culture. Rudolf’s diary, with its daily weather observations, its account of family matters, of social and business happenings, and of his own experiences, as well as occasional literary or naturalistic forays, attempts to follow a disciplined regime of writing, but also has elements of a Bildungsroman. The diary reveals an obvious and significant tension between his inner, spiritual search for meaning in his life (evangelical inwardness) and his outward stewardship duties. Rudolf’s concept of character, then, involved a type of balance sheet of his evangelical service record, to his God, his family, his business, and his community. Needing God’s help to transform his will and to interpret the world in a constructive, rational manner, the underlying intent of his daily journal writing was to keep his commitment to an ethic of benevolence and of the affirmation of the goodness of human beings. Wood elucidates the cultivation of civic-minded masculinity in the context of Victorian Maritime Canada, analyzing the multiple facets of the character ideal and emphasizing its important role in Victorians’ understanding of their life experiences. In the process Wood reveals many underlying assumptions about social change and about civic discourse. The book also describes how the tremendous economic upheavals experienced by many entrepreneurs in the late 1860s to 1880s tempered their evangelical zeal and made it increasingly difficult for them to achieve a balanced and humane perspective on their own lives. Evangelical Balance Sheet will appeal to a broad audience interested in social history, imperial studies, gender studies (especially changing ideas of masculinity and manhood), Atlantic Canada studies, and local history of the Pictou region.

Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth century was a moment of extraordinary mathematical innovation, witnessing the development of non-Euclidean geometry, the revaluation of symbolic algebra, and the importation of mathematical language into philosophy. All these innovations sprang from a reconception of mathematics as a formal rather than a referential practice--as a means for describing relationships rather than quantities. For Victorian mathematicians, the value of a claim lay not in its capacity to describe the world but its internal coherence. This concern with formal structure produced a striking convergence between mathematics and aesthetics: geometers wrote fables, logicians reconceived symbolism, and physicists described reality as consisting of beautiful patterns. Artists, meanwhile, drawing upon the cultural prestige of mathematics, conceived their work as a 'science' of form, whether as lines in a painting, twinned characters in a novel, or wavelike stress patterns in a poem. Avant-garde photographs and paintings, fantastical novels like Flatland and Lewis Carroll's children's books, and experimental poetry by Swinburne, Rossetti, and Patmore created worlds governed by a rigorous internal logic even as they were pointedly unconcerned with reference or realist protocols. Algebraic Art shows that works we tend to regard as outliers to mainstream Victorian culture were expressions of a mathematical formalism that was central to Victorian knowledge production and that continues to shape our understanding of the significance of form.