In the course of the eighteenth century, understanding human cognitive life came to be construed as something to be explored in terms of the physiology of the sensory organs, the nerves, and the brain: a form of naturalization that effectively moved cognition out of the realm of philosophy as it had traditionally been understood. Bonnet's Analytical Essay on the Faculties of the Soul was at the forefront of these developments, and this is its first English translation. Drawing on his earlier work in natural history--he was the leading entomologist of his era--he approaches problems of the nature of the mind via the physiology and anatomy of the brain and sensory systems. His approach is one of 'reverse engineering', starting from an organic statue without faculties, and investigating how it would need to be modified to produce a human being. Bonnet takes up a position that cuts across the standard understanding of the period as a clash between materialism and dualism. While his approach was rigorously naturalistic and physiological, this did not lead him to reject the notion of a soul. Instead, he argues that, in order to make sense of their sensory abilities, we need to attribute a soul to animals as well as human beings. At the same time, he argues that if personal immortality is to be possible, it can be conceived along the lines of insect metamorphosis, which shows how different biological forms can harbour a single identity.

In the course of the eighteenth century, understanding human cognitive life came to be construed as something to be explored in terms of the physiology of the sensory organs, the nerves, and the brain: a form of naturalization that effectively moved cognition out of the realm of philosophy as it had traditionally been understood. Bonnet's Analytical Essay on the Faculties of the Soul was at the forefront of these developments, and this is its first English translation. Drawing on his earlier work in natural history--he was the leading entomologist of his era--he approaches problems of the nature of the mind via the physiology and anatomy of the brain and sensory systems. His approach is one of 'reverse engineering', starting from an organic statue without faculties, and investigating how it would need to be modified to produce a human being. Bonnet takes up a position that cuts across the standard understanding of the period as a clash between materialism and dualism. While his approach was rigorously naturalistic and physiological, this did not lead him to reject the notion of a soul. Instead, he argues that, in order to make sense of their sensory abilities, we need to attribute a soul to animals as well as human beings. At the same time, he argues that if personal immortality is to be possible, it can be conceived along the lines of insect metamorphosis, which shows how different biological forms can harbour a single identity.

Stephen Gaukroger presents the first English translation of a landmark work in the understanding of the mind, Charles Bonnet's Analytical Essay on the Faculties of the Soul (1760), the first to offer a physiological approach to the sensations and operations of the mind.

Fernando Vidal’s trailblazing text on the origins of psychology traces the development of the discipline from its appearance in the late sixteenth century to its redefinition at the end of the seventeenth and its emergence as an institutionalized field in the eighteenth. Originally published in 2011, The Sciences of the Soul continues to be of wide importance in the history and philosophy of psychology, the history of the human sciences more generally, and in the social and intellectual history of eighteenth-century Europe.

How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.

How do the many exciting recent scientific discoveries in neuroscience, psychology, evolutionary biology, genetics and paleoanthropology challenge and complicate but also enrich and illuminate the traditional Christian portrait of human nature? In Rethinking Human Nature an international team of scientists, historians, philosophers, and theologians presents both the wisdom of the past and the cutting edge of present and developing scientific research to explore answers to this vital question. Their discussions examining our brains, our genes, our ancestors, our societies, and more will help us develop a more nuanced and complete understanding of what it really means to be human. Contributors: Evandro Agazzi, R. J. Berry, Alison S. Brooks, Franco Chiereghin, Felipe Fernandez, Graeme Finlay, Joel Green, Malcolm Jeeves, Jrgen Mittelstrass, David G. Myers, Janet Martin Soskice, Fernando Vidal