In this reappraisal of charity in the biblical tradition, Anderson argues that the poor constituted the privileged place where Jews and Christians met God. He shows how charity affirms the goodness of the created order; the world was created through charity and therefore rewards it.

Argues that for the first time in history we're in a position to end extreme poverty throughout the world, both because of our unprecedented wealth and advances in technology, therefore we can no longer consider ourselves good people unless we give more to the poor. Reprint.

In Charity for and by the Poor, Laura Dierksmeier investigates how the reformed Franciscans' commitment to evangelizing Mexico gave rise to an extensive network of local confraternities and their respective care institutions.

Helping the poor is a question central to American life. Partially driven by America's Judeo-Christian heritage, Americans believe we possess enough wealth to provide some minimum basic standard of living for all and genuinely desire to help the least among us. We are the most generous nation on earth, spending hundreds of billions of dollars annually through private giving, corporate philanthropy, government aid, and other forms of charity. And yet, despite these efforts, international and domestic poverty persist. In From Prophecy to Charity: How to Help the Poor, Lawrence M. Mead critiques the philosophical presuppositions of past and current endeavors to alleviate poverty and provides a framework to guide future efforts based on what has been proven to actually help those in need: charity rooted in love.

Renaissance debates about politics and gender led to pioneering forms of poor relief, devised to help women get a start in life. These included orphanages for illegitimate children and forced labor in workhouses, but also women’s shelters and early forms of maternity benefits, unemployment insurance, food stamps, and credit union savings plans.

Offering insights and analysis in a field that has only recently come into existence, this book explores the ideals and institutions through which Middle Eastern societies—from the rise of Islam in the seventh century C.E. to the present day—have confronted poverty and the poor. By introducing new sources and presenting familiar ones with new questions, the contributors examine ideas about poverty and the poor, ideals and practices of charity, and state and private initiatives of poor relief over this extensive time span. They avoid easy generalizations about Islam and the Middle East as they seek to set the ideals and practices in comparative perspective.

Whereas previous studies of poverty and early modern theatre have concentrated on England and the criminal rogue, Poverty and Charity in Early Modern Theatre and Performance takes a transnational approach, which reveals a greater range of attitudes and charitable practices regarding the poor than state poor laws and rogue books suggest. Close study of German and Latin beggar catalogues, popular songs performed in Italian piazzas, the Paduan actor-playwright Ruzante, the commedia dell’arte in both Italy and France, and Shakespeare demonstrate how early modern theatre and performance could reveal the gap between official policy and actual practices regarding the poor. The actor-based theatre and performance traditions examined in this study, which persistently explore felt connections between the itinerant actor and the vagabond beggar, evoke the poor through complex and variegated forms of imagination, thought, and feeling. Early modern theatre does not simply reflect the social ills of hunger, poverty, and degradation, but works them through the forms of poverty, involving displacement, condensation, exaggeration, projection, fictionalization, and marginalization. As the critical mass of medieval charity was put into question, the beggar-almsgiver encounter became more like a performance. But it was not a performance whose script was prewritten as the inevitable exposure of the dissembling beggar. Just as people’s attitudes toward the poor could rapidly change from skepticism to sympathy during famines and times of acute need, fictions of performance such as Edgar’s dazzling impersonation of a mad beggar in Shakespeare’s King Lear could prompt responses of sympathy and even radical calls for economic redistribution.