The fourth book in the epic Chaos Queen series. "Perfect for fans of Daniel Abraham and Brandon Sanderson." (Library Journal on Duskfall) All parties converge on the capital city, Triah - Cinzia and the Odenites to establish their new religion and appeal against a charge of heresy; Knot and Astrid to find answers in the vampire girl's past; and Winter has come to conquer the city, at the head of a tiellan army. But Winter is still struggling with her addictions and anger; Knot's efforts to be reunited with her can only lead to disappointment. Cinzia cannot free herself from a terrible bargain. And as the battle lines are drawn, the true nature of the goddess Canta, and the Odenites' final purpose, will soon be revealed...

A new religion is rising, gathering followers drawn by rumors of prophetess Jane Oden. Her sister Cinzia—once a Cantic priestess—is by her side, but fears that Jane will lead them to ruin. For both the Church and the Nazaniin assassins are still on their trail, and much worse may come. Knot, his true nature now revealed if not truly understood, is haunted by his memories, and is not the ally he once was. Astrid travels to Tinska to find answers for her friend, but the child-like vampire has old enemies who have been waiting for her return. And beyond the Blood Gate in the empire of Roden, a tiellan woman finds herself with a new protector. One who wants to use her extraordinary abilities for his own ends...

The fifth and final book in the epic Chaos Queen series. "Perfect for fans of Daniel Abraham and Brandon Sanderson." (Library Journal on Duskfall). Nothing is as it seems. Sfaera-shattering revelations reveal there is more to the Nine Daemons--and Canta--than anyone could have imagined, and deep in the heart of Triah, a threat that has lurked below the surface for years finally rises, gathering unimaginable power. Knot, still reeling from a shocking death, tries to put himself back together in time to fight. Two ex-Nazaniin assassins, Code and Kali, form an unlikely alliance. Cinzia, more suspicious than ever of her sister Jane Oden--Canta’s prophetess--rallies as many people as she can to save the Sfaera from imminent destruction. And Winter, the Chaos Queen herself, realizes she must finally choose sides and face the greatest test of her life: finding the humility to seek help. Deep in the heart of Triah, a threat that has lurked below the surface for years finally rises, gathering unimaginable power. Only the unlikely alliance formed between the two former Nazaniin assassins, Code and Kali, stands in its way. Characters old and new join forces to preserve life as they know it. The darkest night the Sfaera has ever known is about to end, but whether it ends in daylight or destruction remains to be seen..

Drawing on previously untapped archival materials including letters, interviews, and more, Bernard F. Dick traces the history of Columbia Pictures, from its beginnings as the CBC Film Sales Company, through the regimes of Harry Cohn and his successors, and ending with a vivid portrait of today's corporate Hollywood. The book offers unique perspectives on the careers of Rita Hayworth and Judy Holliday, a discussion of Columbia's unique brands of screwball comedy and film noir, and analyses of such classics as The Awful Truth, Born Yesterday, and From Here to Eternity. Following the author's highly readable studio chronicle are fourteen original essays by leading film scholars that follow Columbia's emergence from Poverty Row status to world class, and the stars, films, genres, writers, producers, and directors responsible for its transformation. A new essay on Quentin Tarantino's Once Upon a Time...in Hollywood rounds out the collection and brings this seminal studio history into the 21st century. Amply illustrated with film stills and photos of stars and studio heads, Columbia Pictures is the first book to integrate history with criticism of a single studio, and is ideal for film lovers and scholars alike.

This book is a collection of poetry by Albert Pike, a prominent American poet and lawyer during the 19th century. The book includes a variety of poems, including hymns to various gods, as well as other poems on a range of topics. Pike's poetry is notable for its philosophical and mystical themes, as well as its formal structure and use of rhetorical devices. The book is an important example of 19th century American poetry and offers valuable insights into the literary and cultural context of the period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“The Russia that Satter depicts in this brave, engaging book cannot be ignored . . . Required reading for anyone interested in the post-Soviet state” (Newsweek). Anticipating a new dawn of freedom after the disintegration of the Soviet Union, Russians could hardly have foreseen the reality of their future a decade later: A country impoverished and controlled at every level by organized crime. This riveting book views the 1990s reform period through the experiences of individual citizens, revealing the changes that have swept Russia and their effect on Russia’s age-old ways of thinking. “With a reporter’s eye for vivid detail and a novelist’s ability to capture emotion, he conveys the drama of Russia’s rocky road for the average victimized Russian . . . This is only half the story of what is happening in Russia these days, but it is the shattering half, and Satter renders it all the more poignant by making it so human.” —Foreign Affairs “[Satter] tells engrossing tales of brazen chicanery, official greed and unbearable suffering . . . Satter manages to bring the events to life with excruciating accounts of real Russians whose lives were shattered.” —The Baltimore Sun “Satter must be commended for saying what a great many people only dare to think.” —The Globe and Mail (Toronto) “Humane and articulate.” —The Spectator “Vivid, impeccably researched and truly frightening . . . Western policy-makers would do well to study these pages.” —National Post

The Cinema of Urban Crisis explores the relationships between cinema and urban crises in the United States and Europe in the 1970s. Discussing films by Robert Altman, Stanley Kubrick, and Jean-Luc Godard, among others, Lawrence Webb reflects on processes of globalization and urban change that were beginning to transform cities like New York, London, and Berlin. Throughout, the 1970s are conceptualized as a historically distinctive period of crisis in capitalism, which reorganized urban landscapes and produced cultural innovation, technological change, and new configurations of power and resistance. Addressing themes of interest for film, cultural, and urban studies, this book is a compelling take on cinema from both sides of the Atlantic.