"Hey-Colón considers the central role of water within the writings and imaginations of Latinx and Caribbean women writers and artists. Water is seen as a political border with the United States, but also symbolically as a carrier of knowledge, place of transmutation, and an embodiment of the Afro-diasporic religious figure of Yemayá, the orisha who is most directly tied to water. Oceans, seas, and rivers are the crux of narrative applications by writers such as Gloria Anzaldúa in her seminal work Borderlands/La Frontera: The New Mestiza, which likens the Rio Grande to an open wound "where the Third World grates against the First and bleeds," and thus the locus of trauma, but also of processing trauma. Likewise, Hey-Colón argues that the physical and the sacred are intimately tied together in Afro-diasporic beliefs--the body is literally the repository of the sacred within spirit possession and so these bodies, when they were captured and subjected to the traumas of slavery, were experienced at the same time over their travels across the Atlantic by the spirits they brought with them from the Old World to the New. In doing so they became a sort of living archive and invocation that is continually passed down through successive generations to their descendants. Water and spirituality are a place of trauma and of healing"--

Neither a debunker nor an advocate, Michael Brown examines why so many intelligent Americans have turned to channeling as a source of spiritual guidance and how this links with older and more esoteric native religions.

Channeling is a fascinating mystery. It has enthralled people for thousands of years. And while it is captivating to some, it remains a subject shrouded in obscurity to most. In this extraordinary work, join Henry Reed ashe draws on American psychic Edgar Cayce's inspiring word and principles to show how we can reach our higher selves, understand the nature of our super and subconscious minds, and heal ourselves by using our soul as a conduit. Reed reveals how the great, untapped power of our spirit can transform our lives in very meaningful ways.

Breaking new ground in the study of European colonialism, this book focuses on a nation historically positioned between the Western and Eastern Empires of Europe – Finland. Although Finland never had overseas colonies, the authors argue that the country was undeniably involved in the colonial world, with Finns adopting ideologies and identities that cannot easily be disentangled from colonialism. This book explores the concepts of ‘colonial complicity’ and ‘colonialism without colonies’ in relation to Finland, a nation that was oppressed, but also itself complicit in colonialism. It offers insights into European colonialism on the margins of the continent and within a nation that has traditionally declared its innocence and exceptionalism. The book shows that Finns were active participants in various colonial contexts, including Southern Africa and Sápmi in the North. Demonstrating that colonialism was a common practice shared by all European nations, with or without formal colonies, this book provides essential reading for anyone interested in European colonial history. Chapters 1, 7 and 8 are available open access under a via link.springer.com.>

This book investigates the position of young children’s self-determination within a range of social contexts, such as education, social care, mass-media, health, politics, law and the family. It brings to the fore the voices of the children in the present, with their interests, agendas and rights. Based on original primary research, the chapters tackle hegemonic discourses on children’s self-determination as well as current policies and practices. They address a broad range of topics, from the planning of role-play to national policies, from the use of digital technologies for pedagogy to children’s health and well-being, and from democratic practices in the classroom to the preservation of traditional family values. The book presents case studies to unravel how childhood and young children’s self-determination are constructed at the intersection with intergenerational relationships. Coming from different disciplines and using a diverse range of methodological traditions, the contributions in the volume eventually converge to generate a rich, complex and multi-layered analysis of contemporary cultures of childhood and young children’s rights.

How Latina/o/x gang literature and film represent women and gay gang members’ challenges to gendered, sexual, racial, and class oppression. Clicas examines Latina/o/x literature and film by and/or about gay and women gang members. Through close readings of literature and film, Frank García reimagines the typical narratives describing gang membership and culture, amplifying and complicating critical gang studies in the social sciences and humanities and looking at gangs across racial, ethnic, and national identities. Analyzing how the autobiographical poetry of Ana Castillo presents gang fashion, culture, and violence to the outside world, the effects of women performing female masculinity in the novel Locas, and gay gang members’ experiences of community in the documentary Homeboy, García complicates the dialogue regarding hypermasculine gang cultures. He shows how they are accessible not only to straight men but also to women and gay men who can appropriate them in complicated ways, which can be harming and also, at times, emancipating. Reading gang members as (de)colonial agents who contest the power relations, inequalities, oppressions, and hierarchies of the United States, Clicas considers how women and gay gang members resist materially and psychologically within a milieu shaped by the intersection of race, gender, sexuality, and class.

How indolent practices in Latinx LGBTQ culture challenge capitalist imperatives to be productive. Revolting Indolence makes a case for laziness as an aesthetic-political strategy for countering the oppressive logics of cisheteronormative racial capitalism. Focusing on ways in which queer and trans Latinx people demonstrate the unwillingness of their participation in “productivist” ethics and allied respectability politics, Marcos Gonsalez argues that slacking off, lounging, daydreaming, and partying are liberatory practices—revolts that in turn are treated as revolting. Gonsalez explores how queer and trans Latinx artists refute discourses in which work is a moral good. In Paris Is Burning, RuPaul's Drag Race, documentary photography of queer and trans Latinx life in Los Angeles, and other sources, Gonsalez identifies two lazy styles: first, flagrant refusals of work that critique capitalist reason; and second, the invention of alternative aesthetic worlds beyond racial capitalism and violence targeting queer and trans people, whose rejection of the cisgender nuclear family paradigm is rightly seen as threatening the stability of a functioning capitalist system. Reclaiming laziness as a resource for radical imagining, Revolting Indolence asks us to do that which we want most and which capitalist exploitation can least tolerate: to slow down.