In Yemen, where current poverty is combined with a rich cultural heritage, the distinctions between the traditional and the modern are particularly difficult. First published in 1979, this is a study of social change as experienced and perceived by the women of San’a, the capital city of North Yemen. It presents a synthesised view of the process of change rather than focusing on the issues of exploitation and emancipation, and draws upon observations of women’s daily routine and ritual activities as well as the media and the provocative insights of Yemeni poets. The veil is the focus of the study because it can be seen as a symbol of the contradictions inherent in Yemeni society, not just about the female but also about all social relations. It can be interpreted as both an instrument of oppression and the incitement of liberation and is thus illustrative of deep cultural ambiguities. This book will be of interest to those studying women, gender, Islam, the Middle East and anthropology.

Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil.

The ten stories in Veils take place in present-day Iran or in the United States where Iranian immigrants face alien ways. Teheran's ancient Ghanat Abad Avenue, with its labyrinth of narrow streets and alleys, loosely links the stories into a single narrative: some residents leave as soon as they can, others can live nowhere else. The men and women in these spare and sensuous narratives who are caught in the confusing whirl of changing cultures sometimes meet with failure but more often transcend difficult circumstances to gain deeper self-knowledge.

Now married, Griffin and Nat couldn’t be happier to have shared the moment with their friends, but the honeymoon period won’t last long. Still plagued with the veils and acid rains, they’re just trying to do what they do best—survive. However, things seem to be changing, improving. Cars are working again, guns are firing, there’s even electricity, but still they find themselves traveling through time. With each event, it seems they're getting closer to their original eras. The world looks to be healing itself, and as long as they stick together, they believe they’ll make it through. The only problem is, if their theories are correct, at some point they will have to let each other go to return to their own year where it all began. Hope prevails, but uncertainty continues to rear its ugly head. Will it ever be over? And if it does end, will they be able to reunite with their future selves?

All over the world, girls and women are victims of violence, oppression, and discrimination. Too often, women's voices are stifled, ignored, or trivialized--and as a result, other victims feel alone and unsupported. Veils, Halos & Shackles, the first-ever anthology of international poetry specifically addressing the oppression and empowerment of wom

A history of women in Egyptian society as seen through the lens of prescriptive biographies of famous women, published in popular magazines and directed to a female audience.