Chameleo-Cop is based on a cop, Zap, that was cloned as a younger cop out of the academy who did above standard in the academy. The scientists decided to use his DNA to clone an exact duplicate, but with special abilities. The clone, Vink, was given the abilities to change into anything. He could blend into his surroundings like a Chameleon and you would never even know he was there, much to the chagrin of several criminals. He could even change into someone else, makes you wonder about the person standing beside you.

A mesmerizing mix of Charles Bukowski, Hunter S. Thompson, and Philip K. Dick, Chameleo is a true account of what happened in a seedy Southern California town when an enthusiastic and unrepentant heroin addict named Dion Fuller sheltered a U.S. Marine who’d stolen night vision goggles and perhaps a few top secret files from a nearby military base. Dion found himself arrested (under the ostensible auspices of The Patriot Act) for conspiring with international terrorists to smuggle Top Secret military equipment out of Camp Pendleton. The fact that Dion had absolutely nothing to do with international terrorists, smuggling, Top Secret military equipment, or Camp Pendleton didn’t seem to bother the military. He was released from jail after a six-day-long Abu-Ghraib-style interrogation. Subsequently, he believed himself under intense government scrutiny — and, he suspected, the subject of bizarre experimentation involving “cloaking”— electro-optical camouflage so extreme it renders observers practically invisible from a distance of some meters — by the Department of Homeland Security. Hallucination? Perhaps — except Robert Guffey, an English teacher and Dion’s friend, tracked down and interviewed one of the scientists behind the project codenamed “Chameleo,” experimental technology which appears to have been stolen by the U.S. Department of Defense and deployed on American soil. More shocking still, Guffey discovered that the DoD has been experimenting with its newest technologies on a number of American citizens. A condensed version of this story was the cover feature of Fortean Times Magazine (September 2013).

The Mbugu (or Ma'á) language (Tanzania) is one of the few genuine mixed languages, reputedly combining Bantu grammar with Cushitic vocabulary. In fact the people speak two languages: one mixed and one closely related to the Bantu language Pare. This book is the first comprehensive description of these languages. It shows that these two languages share one grammar while their lexicon is parallel. In the distant past the people shifted from a Cushitic to a Bantu language and in the process rebuilt a language of their own that expresses their separate ethnic identity in a Bantu environment. This linguistic history is explained in the context of the intricate history of the people. The discussion of the processes that were involved in the formation of Ma'a/Mbugu is extremely relevant for both creole studies and for contact linguistics in general.