Upon his nation’s victory against the Kingdom of Sylvario, Brigandian knight Ark McGuine is sent to collect Princess Sonia of Sylvario, whose hand in marriage had been offered in exchange for lesser financial reparations. But when she doesn’t arrive by the agreed date, he’s forced to spearhead an investigation into why. As a horrible tale of mistreatment and negligence comes to light, he grows more and more drawn to a woman he’s never met, but it all ends tragically: Princess Sonia perished on the way to her new home from her country’s own capital, and her own family members were at fault! Ark eventually returns to Brigandia, despairing over a love that could have been...until he runs into a girl named “Nia” in his own kingdom’s capital who looks exactly like the princess!

Traces of the living animal run across the entire corpus of medieval writing and reveal how pervasively animals mattered in medieval thought and practice. In fascinating scenes of cross-species encounters, a raven offers St. Cuthbert a lump of lard that waterproofs his visitors' boots for a whole year, a scholar finds inspiration for his studies in his cat's perfect focus on killing mice, and a dispossessed knight wins back his heritage only to give it up again in order to save the life of his warhorse. Readers have often taken such encounters to be merely figurative or fanciful, but Susan Crane discovers that these scenes of interaction are firmly grounded in the intimate cohabitation with animals that characterized every medieval milieu from palace to village. The animal encounters of medieval literature reveal their full meaning only when we recover the living animal's place within the written animal. The grip of a certain humanism was strong in medieval Britain, as it is today: the humanism that conceives animals in diametrical opposition to humankind. Yet medieval writing was far from univocal in this regard. Latin and vernacular works abound in other ways of thinking about animals that invite the saint, the scholar, and the knight to explore how bodies and minds interpenetrate across species lines. Crane brings these other ways of thinking to light in her readings of the beast fable, the hunting treatise, the saint's life, the bestiary, and other genres. Her substantial contribution to the field of animal studies investigates how animals and people interact in culture making, how conceiving the animal is integral to conceiving the human, and how cross-species encounters transform both their animal and their human participants.

Presents literary criticism on writers and illustrators for children and young adults. Critical essays are selected from leading sources, including published journals, magazines, books, monographs, reviews, and scholarly papers.

Indexes, covers and tables of contents of Paperback Inferno (issues 43-97, 1983-1992), the paperback reviews journal of the British Science Fiction Association (BSFA). As well as complete tables of contents of all these issues, this book includes indexes to every book and magazine reviewed, every cover artist, and every letter writer, along with summary statistics of the issues.

The book focuses on individuals writing in the '90s, but also includes 12 classic authors (e.g., Mark Twain, Louisa May Alcott, J.R.R. Tolkien) who are still widely read by teens. It also covers some authors known primarily for adult literature (e.g., Stephen King) and some who write mainly for middle readers but are also popular among young adults (e.g., Betsy Byars). An affordable alternative to multivolume publications, this book makes a great collection development tool and resource for author studies. It will also help readers find other books by and about their favorite writers.

This text presents 49 original essays on the essential terms and concepts of children's literature.