The Courtauld Gallery holds the most important group of works by Paul Cézanne (1839-1906) in Britain. This book presents the entire collection for the first time, with major paintings such as the iconic Montagne Sainte-Victoire (1887) and Card Players (1892-95) shown alongside rarely seen drawings and watercolors.

On two great artists and their collectors: Courtauld and Cézanne, Meyer and Munch There are some collectors who, through foresight and dedication, have built truly outstanding art collections and shared them widely as part of public museums. Among these were Samuel Courtauld in London, England, and Rasmus Meyer in Bergen, Norway. At the heart of each man's collection was a single artist whose work was their greatest passion: for Courtauld, it was the French painter Paul Cézanne and, for Meyer, it was Norway's own Edvard Munch. This unique collaboration between KODE Art Museums in Bergen and the Courtauld in London celebrates these two remarkable collectors and two great artists by temporarily exchanging the collections. This volume tells the story of Cézanne's rise to prominence. This publication not only presents 10 key works from the Courtauld along with Cézannes from Norwegian collections, it also brings them together with eyewitness accounts from the early years of his profound influence.

This beautifully illustrated book features twenty-four masterpieces in portraiture by celebrated French artist Paul Cézanne (1839-1906), offering an excellent introduction to this important aspect of his work. Arranged chronologically and spanning five decades, featured portraits range from a selection of the artist's self-portraits, made throughout his life, to paintings depicting family and friends, including his uncle Dominique, his wife Hortense, his son Paul, and his final portrait of Vallier, the gardener at his house near Aix-en-Provence, completed shortly before Cézanne's death. Art historian Mary Tompkins Lewis contributes an illuminating essay on Cézanne and his portraiture for general readers, alongside an illustrated chronology of the artist's life and work.

Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War impacted the supply and demand dynamics of the market for French modernist art.

The highlights of one of the most extensive and important collections of fine art anywhere.

In the last years of his life Paul Cézanne produced a stunning series of watercolors, many of them sill lifes. Still Life with Blue Pot is one of these late masterpieces that is now in the collection of the Getty Museum. In Cézanne in the Study: Still Life in Watercolors, Carol Armstrong places this great painting within the context of Cezanne’s artistic and psychological development and of the history of the genre of still life in France. Still life—like the medium of watercolor—was traditionally considered to be “low” in the hierarchy of French academic paintings. Cézanne chose to ignore this hierarchy, creating monumental still-life watercolors that contained echoes of grand landscapes and even historical paintings in the manner of Poussin—the “highest” of classical art forms. In so doing he changed his still lifes with new meanings, both in terms of his own notoriously difficult personality and in the way he used the genre to explore the very process of looking at, and creating, art. Carol Armstrong’s study is a fascinating exploration of the brilliant watercolor paintings that brought Cézanne’s career to a complex, and triumphant, conclusion, The book includes new photographic studies of the Getty’s painting that allow the reader to encounter this great watercolor as never before, in all of its richness and detail.