"The papers in this volume ... confront the theoretical foundation and the ethical and aesthetical principles of the conservation of modern and contemporary art, testing the limits and possibilities of the development of established positions and seeking new challenges. The authors tackle the crucial question-- whether there should be specific theoretical, ethical and aesthetical guidelines for the conservation and restoration of modern and contemporary art-- by starting from important historical theories and seeing how these might be adapted to meet the demands of contemporary society in dealing with modern artworks and all the multiform cultural manifestations of today"--Page 4 of cover.

This groundbreaking study sets out to clarify one of the most influential but least studied of all political concepts. Despite continual talk of popular sovereignty, the idea of the people has been neglected by political theorists who have been deterred by its vagueness. Margaret Canovan argues that it deserves serious analysis, and that it's many ambiguities point to unresolved political issues. The book begins by charting the conflicting meanings of the people, especially in Anglo-American usage, and traces the concept's development from the ancient populus Romanus to the present day. The book's main purpose is, however, to analyse the political issues signalled by the people's ambiguities. In the remaining chapters, Margaret Canovan considers their theoretical and practical aspects: Where are the people's boundaries? Is people equivalent to nation, and how is it related to humanity - people in general? Populists aim to 'give power back to the people'; how is populism related to democracy? How can the sovereign people be an immortal collective body, but at the same time be us as individuals? Can we ever see that sovereign people in action? Political myths surround the figure of the people and help to explain its influence; should the people itself be regarded as fictional? This original and accessible study sheds a fresh light on debates about popular sovereignty, and will be an important resource for students and scholars of political theory.

The book's aim is to show how art can enrich a person's life. 22 essays starting from the themes of restoration and fine arts are arranged chronologically, with the focus slowly shifting towards generality, from disciplinary demarcation to inter- and transdisciplinary openness, as dictated by the spirit of the times. The visual updating of the author's cover design from 2004 points to "updates" both unintentional and intentional, but always inevitable, firmly rooted in the human desire to outwit the transience of time. Thus, the content of an essay may be critical, some essays creep into the poetic, some into the caricatural, nothing has the claim to permanence of an abstract truth, and everything serves to deepen the pleasure of art.