Throughout, the author argues that it is the diversity of Cerveri's sources and poetic effects which differentiate him from earlier troubadours, also making his works a point of reference for some of the major trends in thirteenth-century literature.

Although it seemed in the mid-1970s that the study of the troubadours and of Occitan literature had reached a sort of zenith, it has since become apparent that this moment was merely a plateau from which an intensive renewal was being launched. In this new bibliographic guide to Occitan and troubadour literature, Robert Taylor provides a definitive survey of the field of Occitan literary studies - from the earliest enigmatic texts to the fifteenth-century works of Occitano-Catalan poet Jordi de Sant Jordi - and treats over two thousand recent books and articles with full annotations. Taylor includes articles on related topics such as practical approaches to the language of the troubadours and the musicology of select troubadour songs, as well as articles situated within sociology, religious history, critical methodology, and psychoanalytical analysis. Each listing offers descriptive comments on the scholarly contribution of each source to Occitan literature, with remarks on striking or controversial content, and numerous cross-references that identify complementary studies and differing opinions. Taylor's painstaking attention to detail and broad knowledge of the field ensure that this guide will become the essential source for Occitan literary studies worldwide.

The Crown of Aragon. A Singular Mediterranean Empire recovers the history of an empire which was of great importance in the late medieval Mediterranean, but which has since been relegated almost to oblivion by the course of history. The Crown of Aragon was a Mediterranean crossroads: between west and east for the economy, and between north and south for culture and religion, drawing in many different peoples, covering Iberia to Greece. A new vision of the Crown of Aragon as a framework of overlapping identities facilitates its historiographical recovery, showcased in the chapters of this volume which analyse the economy, institutions, social evolution, political strategy and cultural expression in literature and art of the Crown of Aragon. Contributors are David Abulafia, Lola Badia, Xavier Barral-i-Altet, Pere Benito, Maria Bonet, Jesús Brufal, Alessandra Cioppi, Damien Coulon, Luciano Gallinari, Isabel Grifoll, Adam J. Kosto, Esther Martí-Setañés, Sebastiana Nocco, Antoni Riera, Flocel Sabaté and Antoni Simon.

The studies gathered in this volume engage in different ways with the ideas of André Jolles (1874–1946), whose Einfache Formen (“Simple Forms”) was first published in 1930. Trained as an anthropologist, Jolles argued that these “simple” forms – Legende (legend), Sage (saga), Mythe (myth), Rätsel (riddle), Spruch (proverb), Kasus (case), Memorabile (memorable action), Märchen (folk or fairy tale) and Witz (joke or witticism) – which had circulated at a very early stage of human culture underlay the more sophisticated genres of literature. Unlike epic or tragedy, many of the simple forms are not theorised in classical rhetoric. The essays presented here focus on their reception in Hispanic culture from the Middle Ages to circa 1650. As such, the book will be of interest to scholars of medieval and early modern Spanish, Catalan and Latin literature. It will also appeal to historians of Humanism as well as scholars working on classical and Renaissance literary theory.

Volume 4 of the journal Glossator: Practice and Theory of the Commentary. Occitan Poetry. Edited by Anna Klosowska and Valerie Wilhite. CONTENTS Valerie M. Wilhite A/ESPIRAR: THE LOST SIGH OF THE TROUBADOUR TRADITION Anna Klosowska INTRODUCTION Cary Howie INEXTRICABLE Bill Burgwinkle RHETORIC AND ETHICS IN SORDELLO'S "ENSENHAMEN D'ONOR" Isabel de Riquier & Andreu Comas FAMILY MATTERS Miriam Cabré WHO ARE CERVERÍ'S WORST ENEMIES? Simone Marchesi DANTE ALIGHIERI, PURGATORIO XXVI.139-148 Huw Grange A MUSICO-LITERARY COMMENTARY ON BERNART DE VENTADORN'S "QUAN VEI LA LAUDETA MOVER" Marion Coderch "LO ROSSINHOLS S'ESBAUDEYA" (70, 29): BERNART DE VENTADORN, COURTLY ETHICS, AND THE CATALAN TRADITION Luke Sunderland MARCABRU IN MOTION: "DIRE VOS VUOILL SES DUPTANSSA" IN CHANSONNIERS A AND C, AND IN MATFRE ERMENGAUD'S BREVIARI D'AMOR Wendy Pfeffer THE PASSION OF OCCITAN Virginie Greene SUITE PROVENÇALE FOR OCARINA, TRIANGLE, AND POWERPOINT Glossator publishes original commentaries, editions and translations of commentaries, and essays and articles relating to the theory and history of commentary, glossing, and marginalia. The journal aims to encourage the practice of commentary as a creative form of intellectual work and to provide a forum for dialogue and reflection on the past, present, and future of this ancient genre of writing. By aligning itself, not with any particular discipline, but with a particular mode of production, Glossator gives expression to the fact that praxis founds theory. GLOSSATOR.ORG

The authors maintain that Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized the production and dissemination of his writings in a creative and unconventional fashion. Ramon Llull (1232-1316), mystic, missionary, philosopher and author of narrative and poetry, wrote both in Latin and in the vernacular claiming he had been given a new science to unveil the Truth. This book shows why his Latin andvernacular books cannot be read as if they had been written in isolation from one another. Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized theproduction and dissemination of his writings in a creative and unconventional fashion. At a time when learned texts and university culture were conveyed for the most part using the vehicle of Latin, he wrote a substantial proportion of his theological and scientific works in his maternal Catalan while, at the same time, he was deeply involved in the circulation of such works in other Romance languages. These circumstances do not preclude the fact that a considerable number of the titles comprising his extensive output of more than 260 works were written directly in Latin, or that he had various books which were originally conceived in Catalan subsequently translated or adapted intoLatin. Lola Badia is a professor in the Catalan Philology Departament at the University of Barcelona. Joan Santanach is Lecturer of Catalan Philology at the University of Barcelona. Albert Soler (1963) is Lecturer of Catalan Philology at the University of Barcelona.

"In the hundred years since the last major history of English metre was published, dramatic changes have occurred in both the way that poets versify in English and the way that scholars analyze verse. 'Free' verse is now firmly established alongside regular metre, and linguistics, statistics, and cognitive theory have contributed to the analysis of both. This new study covers the history of English metre up to the twenty-first century and compares a variety of modern theories to explain it. The result is a concise and up-to-date guide to metre for all students and teachers of English poetry." --Book Jacket.