Early shows and sales of Islamic antiques in Paris -- Expanding trades in late Ottoman Cairo and Damascus -- Conflicted commodification in Cairo -- Fashioning immersive displays in Egypt and beyond -- Guise and disguise before and during the Tanzimat.

One of the first books devoted entirely to the subject of Raman microscopy, Raman Microscopy addresses issues of great interest to engineers working in Raman-microscope development and researchers concerned with areas ofapplication for this science. The book is written by several world recognized experts, who summarize the Raman effect before discussing the hardware and software involved in todays instruments. This format provides an excellent introduction to this up-and-coming discipline. All important applications, including those in materials science and earth science are covered in depth. - Includes extensive description of the instrumentation, the Raman microspectrograph, the treatment of data, and micro-Raman imaging - Examines the use of Raman microscopy in diverse applications, including some of the hyphenated methods - Summarizes the Raman effect - Discusses new uses for this technology

Raman Spectroscopy in Archaeology and Art History highlights the important contributions Raman spectroscopy makes as a non-destructive method for characterising the chemical composition and structure and in determining the provenance and authenticity of objects of archaeological and historical importance. It brings together studies from diverse areas and represents the first dedicated work on the use of this technique in this increasingly important field. Coverage includes: An Introduction to Raman Spectroscopy, including practical aspects of Raman spectroscopy and complementary techniques; Dyes and Pigments; Artefacts; Biological Materials and Degradation; Jewellery and Precious Stones. The book contains a broad selection of real-world examples in the form of case studies to provide the reader with a true appreciation of the procedures that need to be invoked to derive spectroscopic information from some of the most challenging specimens and systems. Colour illustrations of objects of investigation and a database of 72 Raman spectra of relevant minerals are included. With its extensive examples, Raman Spectroscopy in Archaeology and Art History will be of particular interest to specialists in the field, including researchers and scientific/conservation staff in museums. Academics will find it an invaluable reference to the use of Raman spectroscopy.

Infrared and Raman Spectroscopy of Lunar and Terrestrial Minerals makes available in a single reference work original descriptions and summaries of the research on infrared and Raman spectroscopy of lunar and terrestrial minerals so that this information will be readily available not only to those researchers in the continuing programs on lunar samples from the completed Apollo series and on the remote sensing of solar system objects, but, in particular, to that much larger group of researchers in government, industry, and universities involved in the many programs on terrestrial minerals and earth sciences by remote sensing. The chapters in this volume are arranged according to spectroscopic technique and/or frequency range rather than application. Thus there are chapters on visible and near-infrared, followed by those on mid-infrared, far-infrared, and Raman spectroscopy. Applications are roughly divided between lunar and terrestrial, although the broad range of interchangeability of applications is obvious in many instances. There are also chapters on remote sensing of space targets and earth sciences; on lunar mineralogy and terrestrial mineralogy and geology; and on structures of lunar minerals and structures of terrestrial minerals.

This book provides an up-to-date and comprehensive coverage of the properties of glasses as materials and of the vitreous state in general. The broad coverage of the book includes a study of the methods of studying the structure, glass classification, and electrical, optical, thermal and mechanical properties of glasses.

As one of the most vigorous and independent of French nineteenth century art critics, Philippe Burty (1830-1890) often supported areas and issues that other critics overlooked. He was among the first to support the new renaissance in printmaking (essentially in etching) and his articles on the decorative arts, the need for reforms in the exhibition system and his support of younger painters were well known. His primary contribution was in championing Japonisme (the taste for all things Japanese) in France and in coinig the name by which this tendency was identified. He also avidly spoke up for the Impressionists in both French and English articles at a time when few did. Burty was also a creative collector whose tastes in journalistic writing were reflected in what he had in his own home. In all these ways he demonstrated an advanced attitude.