1.1 Prologue What is archaeomineralogy? The term has been used at least once before (Mitchell 1985), but this volume is the first publication to lay down the scientific basis and systematics for this subdiscipline. Students sometimes call an introductory archaeology course "stones and bones." Archaeomineralogy covers the stones component of this phrase. Of course, archaeology consists of a great deal more than just stones and bones. Contemporary archaeology is based on stratigraphy, geomorphology, chronometry, behavioral inferences, and a host of additional disciplines in addition to those devoted to stones and bones. To hazard a definition: archaeomineralogy is the study of the minerals and rocks used by ancient societies over space and time, as implements, orna ments, building materials, and raw materials for ceramics and other processed products. Archaeomineralogy also attempts to date, source, or otherwise char acterize an artifact or feature, or to interpret past depositional alteration of archaeological contexts. Unlike geoarchaeology, archaeomineralogy is not, and is not likely to become, a recognized subdiscipline. Practitioners of archaeomineralogy are mostly geoarchaeologists who specialize in geology and have a strong background in mineralogy or petrology (the study of the origin ofrocks).

This exhibition catalogue offers a magnificent, thorough study of 90 objects from the Qianlong Garden in Beijing's Forbidden City. Objects include wall paintings, furniture, architectural fittings, ceramics, and stone. They have been on public view infrequently and only in the Qianlong Garden, which is now undergoing a 20-year restoration under the lead of the World Monuments Fund and Beijing's Palace Museum. The garden is a two-acre tract consisting of 27 buildings, their contents, and a mature landscape--the whole complex is characterized as a "multi-layered artwork." Following an introduction by Elliott (Harvard), Berliner (Peabody Essex Museum) presents the general characteristics of scholar and emperor gardens, and the early gardens of Emperor Qianlong, along with a minute analysis of the Qianlong Garden. Yuan Hongqi (Palace Museum), Liu Chang (Tsinghua Univ., Beijing), and Henry Tzu Ng (World Monuments Fund) treat the garden's subsequent history. Interlaced throughout are superb illustrations of the objects and the garden, followed by a catalogue with small illustrations of objects, and their curatorial data; a chronology; a comparative, annotated time line; maps; glossary; and Chinese pronunciation guide. This must-buy publication is a model of sensitive scholarship that places the garden and its objects in an understandable, universal context. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. K. Haworth.

Despite its beauty, individuality and variety of design, the red or brown unglazed stoneware produced at Yixing in Jiangsu Province has received less attention than other branches of Chinese ceramic art. The Yixing potters have always specialized in the making of teapots, whose use became widespread during the Ming period as a result of the innovation of making tea from rolled leaves, rather than using it in the fine-ground, powdered from in which it had previously been supplied.

"This work does not focus on the purley political role played, but indicates the impact on daily life and the genesis of a narcotic culture which soon evolved." -- Jacket.